Conference paper
Historically informed rendition and performance practice at the Varaždin Baroque Evenings
Nataša Maričić
; Glazbena škola Varaždin, Varaždin, Hrvatska
Abstract
It goes for two essentially different composers’ approaches that cause two essentially different performing concepts: one of them supervenes from the live creative music making, the other on from the structure fixed by the text. The former co-designs the music, the latter interprets it. The former was dominant up to the beginning of the 17th century, the latter up to the mid 18th century. The Baroque is the transition period where there sometimes prevailed one and sometimes the other approach and sometimes they were balanced. This is where, consciously or unconsciously, a diversity of performing approaches arose from. This is also the source of the ambivalence from the beginning part of this text comes from.
Keywords
historically informed interpretation; authentic instruments; musical work; improvisation-reconstruction-interpretation of music; Nikolaus Harnoncourt; Carl Dahlhaus
Hrčak ID:
65560
URI
Publication date:
2.3.2011.
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