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Elvira Šarić ; Muzej grada Splita, Split, Hrvatska

Puni tekst: hrvatski, pdf (346 KB) str. 167-172 preuzimanja: 591* citiraj
APA 6th Edition
Šarić, E. (2006). Marko Marulić i Muzej grada Splita. Muzeologija, (43/44), 167-172. Preuzeto s
MLA 8th Edition
Šarić, Elvira. "Marko Marulić i Muzej grada Splita." Muzeologija, vol. , br. 43/44, 2006, str. 167-172. Citirano 26.10.2021.
Chicago 17th Edition
Šarić, Elvira. "Marko Marulić i Muzej grada Splita." Muzeologija , br. 43/44 (2006): 167-172.
Šarić, E. (2006). 'Marko Marulić i Muzej grada Splita', Muzeologija, (43/44), str. 167-172. Preuzeto s: (Datum pristupa: 26.10.2021.)
Šarić E. Marko Marulić i Muzej grada Splita. Muzeologija [Internet]. 2006 [pristupljeno 26.10.2021.];(43/44):167-172. Dostupno na:
E. Šarić, "Marko Marulić i Muzej grada Splita", Muzeologija, vol., br. 43/44, str. 167-172, 2006. [Online]. Dostupno na: [Citirano: 26.10.2021.]

In the 15th and 16th centuries Split was marked by strong humanist activities and a literary circle that formed around Marko Marulić (1450-1524). The beginnings of museum activities and collecting of the heritage in Split have been linked with the Gothic and Renaissance Papalić Palace, where the Split City Museum is housed. A deÞ ning moment in the history of the Museum is the exhibition presented in 1950 to mark the anniversary of Marulić’s birth, after which the Papalić Palace was definitely given to the Museum; two years later it opened to the public with a permanent exhibition that included the presentation of the literary life of the Renaissance circle. One of the temporary exhibitions travelled to Zagreb in 1972
for the marking of the anniversary of the Þ rst edition of Judita at the History Museum with the title Marko Marulić and Split in His Time.
After many years of work on the museum, the new permanent exhibition opened in 1992; it was conceived in such a way that a group of object on the Þ rst ß oor of the Papalić Palace relates to the place where friends and notable Þ gures gathered around the central Þ gure of the European Renaissance. Marking the 500th anniversary of Judita, the Museum presented the exhibition Split in the Time of
Marulić, aimed at presenting the life and work of the poet as well as the history of the city and works of art created at that time. This project spawned events and exhibitions in Spain, Chile, Argentina
and Macedonia. The implementation of the programme establishes
cooperation with individuals and institutions like the Marulianum, and led to the publication of catalogues and other editions to promote Marulić and the Croatian heritage in Europe and beyond. Museum activities linked with the classic Þ gure of Croatian literature continues

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