APA 6th Edition Grgić, A. i Nikolić, D. (2011). ANTONOMAZIJA – FIGURA KULTURNOGA PAMĆENJA. FLUMINENSIA, 23 (2), 129-142. Preuzeto s https://hrcak.srce.hr/82460
MLA 8th Edition Grgić, Ana i Davor Nikolić. "ANTONOMAZIJA – FIGURA KULTURNOGA PAMĆENJA." FLUMINENSIA, vol. 23, br. 2, 2011, str. 129-142. https://hrcak.srce.hr/82460. Citirano 30.10.2020.
Chicago 17th Edition Grgić, Ana i Davor Nikolić. "ANTONOMAZIJA – FIGURA KULTURNOGA PAMĆENJA." FLUMINENSIA 23, br. 2 (2011): 129-142. https://hrcak.srce.hr/82460
Harvard Grgić, A., i Nikolić, D. (2011). 'ANTONOMAZIJA – FIGURA KULTURNOGA PAMĆENJA', FLUMINENSIA, 23(2), str. 129-142. Preuzeto s: https://hrcak.srce.hr/82460 (Datum pristupa: 30.10.2020.)
Vancouver Grgić A, Nikolić D. ANTONOMAZIJA – FIGURA KULTURNOGA PAMĆENJA. FLUMINENSIA [Internet]. 2011 [pristupljeno 30.10.2020.];23(2):129-142. Dostupno na: https://hrcak.srce.hr/82460
IEEE A. Grgić i D. Nikolić, "ANTONOMAZIJA – FIGURA KULTURNOGA PAMĆENJA", FLUMINENSIA, vol.23, br. 2, str. 129-142, 2011. [Online]. Dostupno na: https://hrcak.srce.hr/82460. [Citirano: 30.10.2020.]
Sažetak This paper analyses the function of antonomasia as a figure of cultural memory. Classical rhetoric defined this trope as the substitution of proper name by appelative, epithet or periphrasis, whereas in the contemporary rhetoric it is also seen as a reverse figure called Vossian antonomasia. Figurative and lexicalized antonomasias (eponyms) for either fictional or true characters of historical governors, soldiers and artists are passed on and persevered by cultural memory. In opposition to so-called big "names", the cultural memory of a smaller community (region, village or a clan) fortifies its collective memory by applying particular nicknames (de facto antonomasias). Typical examples are patronyms and matronyms, as well as names addressed to women either after their husband's name, maiden name or their birthplace.