APA 6th Edition Verdonik, M. (2011). LUTKARSKI IGROKAZI MILANA ČEČUKA. FLUMINENSIA, 23 (1), 143-154. Preuzeto s https://hrcak.srce.hr/78247
MLA 8th Edition Verdonik, Maja. "LUTKARSKI IGROKAZI MILANA ČEČUKA." FLUMINENSIA, vol. 23, br. 1, 2011, str. 143-154. https://hrcak.srce.hr/78247. Citirano 07.04.2020.
Chicago 17th Edition Verdonik, Maja. "LUTKARSKI IGROKAZI MILANA ČEČUKA." FLUMINENSIA 23, br. 1 (2011): 143-154. https://hrcak.srce.hr/78247
Harvard Verdonik, M. (2011). 'LUTKARSKI IGROKAZI MILANA ČEČUKA', FLUMINENSIA, 23(1), str. 143-154. Preuzeto s: https://hrcak.srce.hr/78247 (Datum pristupa: 07.04.2020.)
Vancouver Verdonik M. LUTKARSKI IGROKAZI MILANA ČEČUKA. FLUMINENSIA [Internet]. 2011 [pristupljeno 07.04.2020.];23(1):143-154. Dostupno na: https://hrcak.srce.hr/78247
IEEE M. Verdonik, "LUTKARSKI IGROKAZI MILANA ČEČUKA", FLUMINENSIA, vol.23, br. 1, str. 143-154, 2011. [Online]. Dostupno na: https://hrcak.srce.hr/78247. [Citirano: 07.04.2020.]
Sažetak The paper discusses the importance of children's theatre plays for puppet theatre, often neglected in children's literature theory because of its perfomative nature. Considering elements of animation as the starting point the paper analyses selected puppet theatre plays written by Milan Čečuk, Croatian author also known as the author of Croatian puppet theatre theory, with the purpose to explore their complementarities. The conclusions show interconnection between theoretical postulates and literary work, reflected in animation being the main characteristic of puppet theatre.