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THE PAINTER FIGURES IN KRLEŽA’S NOVEL THE RETURN OF PHILIP LATINOVICZ AND FABRIO’S NOVEL TRIEMERON: ARTISTS’ RELATIONSHIP TO HISTORICAL AND NATIONAL

Dijana Mikšić ; Zagreb

Puni tekst: hrvatski, pdf (114 KB) str. 33-44 preuzimanja: 5.297* citiraj
APA 6th Edition
Mikšić, D. (2012). LIK SLIKARA U KRLEŽINU ROMANU POVRATAK FILIPA LATINOVICZA I FABRIJEVU ROMANU TRIEMERON: ODNOS UMJETNIKA PREMA POVIJESNOM I NACIONALNOM. FLUMINENSIA, 24 (2), 33-44. Preuzeto s https://hrcak.srce.hr/96902
MLA 8th Edition
Mikšić, Dijana. "LIK SLIKARA U KRLEŽINU ROMANU POVRATAK FILIPA LATINOVICZA I FABRIJEVU ROMANU TRIEMERON: ODNOS UMJETNIKA PREMA POVIJESNOM I NACIONALNOM." FLUMINENSIA, vol. 24, br. 2, 2012, str. 33-44. https://hrcak.srce.hr/96902. Citirano 03.04.2020.
Chicago 17th Edition
Mikšić, Dijana. "LIK SLIKARA U KRLEŽINU ROMANU POVRATAK FILIPA LATINOVICZA I FABRIJEVU ROMANU TRIEMERON: ODNOS UMJETNIKA PREMA POVIJESNOM I NACIONALNOM." FLUMINENSIA 24, br. 2 (2012): 33-44. https://hrcak.srce.hr/96902
Harvard
Mikšić, D. (2012). 'LIK SLIKARA U KRLEŽINU ROMANU POVRATAK FILIPA LATINOVICZA I FABRIJEVU ROMANU TRIEMERON: ODNOS UMJETNIKA PREMA POVIJESNOM I NACIONALNOM', FLUMINENSIA, 24(2), str. 33-44. Preuzeto s: https://hrcak.srce.hr/96902 (Datum pristupa: 03.04.2020.)
Vancouver
Mikšić D. LIK SLIKARA U KRLEŽINU ROMANU POVRATAK FILIPA LATINOVICZA I FABRIJEVU ROMANU TRIEMERON: ODNOS UMJETNIKA PREMA POVIJESNOM I NACIONALNOM. FLUMINENSIA [Internet]. 2012 [pristupljeno 03.04.2020.];24(2):33-44. Dostupno na: https://hrcak.srce.hr/96902
IEEE
D. Mikšić, "LIK SLIKARA U KRLEŽINU ROMANU POVRATAK FILIPA LATINOVICZA I FABRIJEVU ROMANU TRIEMERON: ODNOS UMJETNIKA PREMA POVIJESNOM I NACIONALNOM", FLUMINENSIA, vol.24, br. 2, str. 33-44, 2012. [Online]. Dostupno na: https://hrcak.srce.hr/96902. [Citirano: 03.04.2020.]

Sažetak
This paper focuses on the painter figure in the Krleža’s novel The Return of Philip Latinovicz (1932) and Fabrio’s novel Triemeron (2002). The aim is to explore how these two novels, Krleža’s modernist and Fabrio’s postmodernist, thematize the relationship of artistic subject to historical and national issue trough painter characters of Philip and Alfred.
The paper has a two-part structure: the first part strives to illuminate Krleža’s painter Philip and his attempt to return to the historical base, and the second is focused on Fabrio’s painter Alfred and his attempt to escape from history. The conclusion is presented in the form of a comparative synthesis of the presented issue.

Ključne riječi
Miroslav Krleža; Nedjeljko Fabrio; novel; the artist; history; national identity; modernist / postmodernist visions

Hrčak ID: 96902

URI
https://hrcak.srce.hr/96902

[hrvatski]

Posjeta: 5.728 *