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Crystal Facets of Serenity: Ljerka Njerš

Joško Belamarić

Fulltext: croatian, pdf (1 MB) pages 51-65 downloads: 300* cite
APA 6th Edition
Belamarić, J. (2012). Kristalne ploče vedrine: Ljerka Njerš. Art bulletin, (62), 51-65. Retrieved from https://hrcak.srce.hr/99222
MLA 8th Edition
Belamarić, Joško. "Kristalne ploče vedrine: Ljerka Njerš." Art bulletin, vol. , no. 62, 2012, pp. 51-65. https://hrcak.srce.hr/99222. Accessed 24 Oct. 2020.
Chicago 17th Edition
Belamarić, Joško. "Kristalne ploče vedrine: Ljerka Njerš." Art bulletin , no. 62 (2012): 51-65. https://hrcak.srce.hr/99222
Harvard
Belamarić, J. (2012). 'Kristalne ploče vedrine: Ljerka Njerš', Art bulletin, (62), pp. 51-65. Available at: https://hrcak.srce.hr/99222 (Accessed 24 October 2020)
Vancouver
Belamarić J. Kristalne ploče vedrine: Ljerka Njerš. Art bulletin [Internet]. 2012 [cited 2020 October 24];(62):51-65. Available from: https://hrcak.srce.hr/99222
IEEE
J. Belamarić, "Kristalne ploče vedrine: Ljerka Njerš", Art bulletin, vol., no. 62, pp. 51-65, 2012. [Online]. Available: https://hrcak.srce.hr/99222. [Accessed: 24 October 2020]

Abstracts
The author graduated (1960) from the Academy of Fine Arts in Zagreb in the class of sensitive colourist Marino Tartaglia. She expressed her painter’s métier in a traditional way through painting on canvas and paper, however she affirmed her creative identity in the painting of ceramics, porcelain, enamel and glass. The author’s works of art often have utilitarian characteristics (platters, vases, bowls), and so historical-art criticism places them within the applied arts. However, in the core of the author’s morphology, these are only planes of free forms whose plasticity contributes to the core of her artistic form of expression.

Keywords
Ljerka Njerš; oil; lithograph; majolica; stoneware; raku; porcelain; glass

Hrčak ID: 99222

URI
https://hrcak.srce.hr/99222

[croatian]

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