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Classical elements and their variations from negation to appropriateness in the sculptural opus of Ivan Meštrović From the University years to the Zagreb period

Barbara Vujanović

Puni tekst: hrvatski, pdf (2 MB) str. 233-247 preuzimanja: 549* citiraj
APA 6th Edition
Vujanović, B. (2012). Elementi klasičnoga i njihovo variranje od negacije do aproprijacije u kiparskom opusu Ivana Meštrovića: studentsko – zagrebačko razdoblje. Adrias, (18), 233-247. Preuzeto s https://hrcak.srce.hr/99698
MLA 8th Edition
Vujanović, Barbara. "Elementi klasičnoga i njihovo variranje od negacije do aproprijacije u kiparskom opusu Ivana Meštrovića: studentsko – zagrebačko razdoblje." Adrias, vol. , br. 18, 2012, str. 233-247. https://hrcak.srce.hr/99698. Citirano 17.10.2019.
Chicago 17th Edition
Vujanović, Barbara. "Elementi klasičnoga i njihovo variranje od negacije do aproprijacije u kiparskom opusu Ivana Meštrovića: studentsko – zagrebačko razdoblje." Adrias , br. 18 (2012): 233-247. https://hrcak.srce.hr/99698
Harvard
Vujanović, B. (2012). 'Elementi klasičnoga i njihovo variranje od negacije do aproprijacije u kiparskom opusu Ivana Meštrovića: studentsko – zagrebačko razdoblje', Adrias, (18), str. 233-247. Preuzeto s: https://hrcak.srce.hr/99698 (Datum pristupa: 17.10.2019.)
Vancouver
Vujanović B. Elementi klasičnoga i njihovo variranje od negacije do aproprijacije u kiparskom opusu Ivana Meštrovića: studentsko – zagrebačko razdoblje. Adrias [Internet]. 2012 [pristupljeno 17.10.2019.];(18):233-247. Dostupno na: https://hrcak.srce.hr/99698
IEEE
B. Vujanović, "Elementi klasičnoga i njihovo variranje od negacije do aproprijacije u kiparskom opusu Ivana Meštrovića: studentsko – zagrebačko razdoblje", Adrias, vol., br. 18, str. 233-247, 2012. [Online]. Dostupno na: https://hrcak.srce.hr/99698. [Citirano: 17.10.2019.]

Sažetak
Consideration of classical elements and the aspects of classicism, including influences of the archaic and classical ancient Greek and Renaissance art, in the sculptural opus of Ivan Meštrović is a highly complex issue. Beside the works whose form and content depict sculptor`s reflection of classicism, we have access to his commentaries, texts where he explicitly expresses his attitude towards the imitation of classical models. Since his university years at the Vienna Akademie der Bildenden Künste, when he, like all young individuals regardless of the ongoing period, expresses rebellion against universal and teacher-imposed canons of classicism up to the moment when he becomes professor and chancellor at the Royal Academy of Arts and Crafts i.e., Academy of Fine Arts in Zagreb, assuming the task of passing certain norms on to his students. Meštrović is undoubtedly a skilled connoisseur of classical traditions. The range from aversion to affirmation of canons, especially Michelangelo`s, reflects maturity and formation of the artistic personality through various working stages. That relationship is rarely unambiguous; sometimes the author himself presents contradictions, especially in writing, thus setting a trap for the interpreter of his work to overlook the meaning of the overall work of art through petty overemphasis of certain elements of form as explicitly adopted patterns.
Through representative sculptural achievements inspired by ancient or Renaissance models at the thematic and/or structural level, this paper attempts to interpret the concept of classical in the opus of Ivan Meštrović, which varies depending on the period, contemporary stylistic trend, theme, role of the work of art within the cycle etc. The comprehension of those variations is essential for putting the genesis of his artistic style into perspective.

Ključne riječi
Ivan Meštrović; tradition of antiquity; vases; Auguste Rodin; Neoclassicism; Michelangelo Buonarotti

Hrčak ID: 99698

URI
https://hrcak.srce.hr/99698

[hrvatski]

Posjeta: 802 *