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Women, Romance and Romantic Nationalism in Dragojla Jarnević’s Dva pira (Two Wedding Celebrations, 1864) and M. E. Francis’s Dark Rosaleen (1917)

Tihana Klepač

Puni tekst: engleski, pdf (345 KB) str. 137-158 preuzimanja: 411* citiraj
APA 6th Edition
Klepač, T. (2011). Women, Romance and Romantic Nationalism in Dragojla Jarnević’s Dva pira (Two Wedding Celebrations, 1864) and M. E. Francis’s Dark Rosaleen (1917). Studia Romanica et Anglica Zagrabiensia, 56 (-), 137-158. Preuzeto s https://hrcak.srce.hr/101810
MLA 8th Edition
Klepač, Tihana. "Women, Romance and Romantic Nationalism in Dragojla Jarnević’s Dva pira (Two Wedding Celebrations, 1864) and M. E. Francis’s Dark Rosaleen (1917)." Studia Romanica et Anglica Zagrabiensia, vol. 56, br. -, 2011, str. 137-158. https://hrcak.srce.hr/101810. Citirano 17.10.2019.
Chicago 17th Edition
Klepač, Tihana. "Women, Romance and Romantic Nationalism in Dragojla Jarnević’s Dva pira (Two Wedding Celebrations, 1864) and M. E. Francis’s Dark Rosaleen (1917)." Studia Romanica et Anglica Zagrabiensia 56, br. - (2011): 137-158. https://hrcak.srce.hr/101810
Harvard
Klepač, T. (2011). 'Women, Romance and Romantic Nationalism in Dragojla Jarnević’s Dva pira (Two Wedding Celebrations, 1864) and M. E. Francis’s Dark Rosaleen (1917)', Studia Romanica et Anglica Zagrabiensia, 56(-), str. 137-158. Preuzeto s: https://hrcak.srce.hr/101810 (Datum pristupa: 17.10.2019.)
Vancouver
Klepač T. Women, Romance and Romantic Nationalism in Dragojla Jarnević’s Dva pira (Two Wedding Celebrations, 1864) and M. E. Francis’s Dark Rosaleen (1917). Studia Romanica et Anglica Zagrabiensia [Internet]. 2011 [pristupljeno 17.10.2019.];56(-):137-158. Dostupno na: https://hrcak.srce.hr/101810
IEEE
T. Klepač, "Women, Romance and Romantic Nationalism in Dragojla Jarnević’s Dva pira (Two Wedding Celebrations, 1864) and M. E. Francis’s Dark Rosaleen (1917)", Studia Romanica et Anglica Zagrabiensia, vol.56, br. -, str. 137-158, 2011. [Online]. Dostupno na: https://hrcak.srce.hr/101810. [Citirano: 17.10.2019.]

Sažetak
While the reasons for the choice of a romance novel by the two authors and the positioning
of the genre within the Croatian, and the literary tradition of Irish writing in
English differ, the historical context which motivates the two novels is highly similar.
Namely, the Illyrian revival of the 1830s in Croatia corresponds in spirit and social
atmosphere to the Irish national revival associated with the Home Rule as the two
nations begin their anti-colonialist projects. Under a strong influence of the romantic
nationalism of the day, both, Jarnević and Francis, construct their female characters
principally through their participation in the national process. Within this ideology,
any venture outside the boundaries of the outlined roles leads to a life of misery, which
is a mode of expiation for the transgression; the order of the universe thus restored.
However, by making it clear that the wrongs done to women are inseparable from
those inflicted to the Croatian and the Irish nation respectively, the two authors transcend
this typical portrayal of women in nationalist movements, thus contributing to
the formulation of the female anti-colonialist narrative. Finally, while Francis never
abandons the conventions of the romance genre, and leaves her heroines locked in a
typical representation of the day, Jarnević takes a step further by stretching the genre
to depict an emerging female consciousness, thus earning the name of a Croatian
proto-feminist (Andrea Zlatar).

Ključne riječi
Jarnević; Francis; women; romance; romantic nationalism

Hrčak ID: 101810

URI
https://hrcak.srce.hr/101810

Posjeta: 563 *