APA 6th Edition Sedlar, A. (2013). Salonitanske stele iz Garagninove zbirke u Trogiru. Tusculum, 6 (1), 57-77. Preuzeto s https://hrcak.srce.hr/106498
MLA 8th Edition Sedlar, Ana. "Salonitanske stele iz Garagninove zbirke u Trogiru." Tusculum, vol. 6, br. 1, 2013, str. 57-77. https://hrcak.srce.hr/106498. Citirano 13.05.2021.
Chicago 17th Edition Sedlar, Ana. "Salonitanske stele iz Garagninove zbirke u Trogiru." Tusculum 6, br. 1 (2013): 57-77. https://hrcak.srce.hr/106498
Harvard Sedlar, A. (2013). 'Salonitanske stele iz Garagninove zbirke u Trogiru', Tusculum, 6(1), str. 57-77. Preuzeto s: https://hrcak.srce.hr/106498 (Datum pristupa: 13.05.2021.)
Vancouver Sedlar A. Salonitanske stele iz Garagninove zbirke u Trogiru. Tusculum [Internet]. 2013 [pristupljeno 13.05.2021.];6(1):57-77. Dostupno na: https://hrcak.srce.hr/106498
IEEE A. Sedlar, "Salonitanske stele iz Garagninove zbirke u Trogiru", Tusculum, vol.6, br. 1, str. 57-77, 2013. [Online]. Dostupno na: https://hrcak.srce.hr/106498. [Citirano: 13.05.2021.]
Sažetak In the early 19th century, governments all over Europe begun collecting information on Classical sites and monuments. In Dalmatia, a particular attention was paid to Salona. This is illustrated by appointing I. L. Garagnin as the chief supervisor for Classical monuments and pieces of art and his support to the first excavation campaigns. The monuments discovered in the campaigns, as well as those already in the Garagnin's possession, were artistically recorded by I. Danilo in 1805, whereas the inscriptions were published in 1811 by I. J. Pavlović Lučić in his work Marmora Traguriensia. Since some of the monuments have been lost in the meantime, these works are the only source on them. However, comparison of their descriptions and the preserved monuments reveals that they were not always reliably presented in the literature.
Of the eleven stelai presented in the said works, nine have still been preserved, built in the eastern wall of the Garagnin-Fanfogna Park in Trogir. Since these are simple stelai, of sparse iconographic and epigraphic features, their as precise as possible dating is attempted based on the available information. Presented are conclusions on stylistic characteristics of this type of grave monuments, as well as notions on the symbolism of the visual imagery related to the afterlife cult, present on particular stelai.