APA 6th Edition Braica, S. (2009). Nastanak likovnih mapa i putopisa. Ethnologica Dalmatica, (17), 117-133. Retrieved from https://hrcak.srce.hr/107628
MLA 8th Edition Braica, Silvio. "Nastanak likovnih mapa i putopisa." Ethnologica Dalmatica, vol. , no. 17, 2009, pp. 117-133. https://hrcak.srce.hr/107628. Accessed 9 Jul. 2020.
Chicago 17th Edition Braica, Silvio. "Nastanak likovnih mapa i putopisa." Ethnologica Dalmatica , no. 17 (2009): 117-133. https://hrcak.srce.hr/107628
Harvard Braica, S. (2009). 'Nastanak likovnih mapa i putopisa', Ethnologica Dalmatica, (17), pp. 117-133. Available at: https://hrcak.srce.hr/107628 (Accessed 09 July 2020)
Vancouver Braica S. Nastanak likovnih mapa i putopisa. Ethnologica Dalmatica [Internet]. 2009 [cited 2020 July 09];(17):117-133. Available from: https://hrcak.srce.hr/107628
IEEE S. Braica, "Nastanak likovnih mapa i putopisa", Ethnologica Dalmatica, vol., no. 17, pp. 117-133, 2009. [Online]. Available: https://hrcak.srce.hr/107628. [Accessed: 09 July 2020]
Abstracts Clothes illustrations are one of the biggest challenges for the painters who have accepted to present artistically those cultural goods. The national costume is challenging due to its colours, type of materials, pattern and jewellery. Noting details is the task which every drawer has had to define as a primary goal. The interest for this type of activity might be aroused by the love for national clothes mixed with the goal, which is often expressed in our territory, to maintain the tradition of national clothes. It is usually connected with the opening of vocational schools, in which students were taught to create a folk costume or manufactures in which the folk costume was produced or finally with the shops in which it was sold as a souvenir, which is also one way of preserving the folk costume.