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https://doi.org/10.15176/vol50no209

The Experience of the Threshold in Držić’s Novela od Stanca (The Dream of Stanac)

Lidija Dujić   ORCID icon orcid.org/0000-0002-1692-2806 ; Medijsko sveučilište, Koprivnica

Puni tekst: hrvatski, pdf (222 KB) str. 173-185 preuzimanja: 666* citiraj
APA 6th Edition
Dujić, L. (2013). Iskustvo praga u Držićevoj Noveli od Stanca. Narodna umjetnost, 50 (2), 173-185. https://doi.org/10.15176/vol50no209
MLA 8th Edition
Dujić, Lidija. "Iskustvo praga u Držićevoj Noveli od Stanca." Narodna umjetnost, vol. 50, br. 2, 2013, str. 173-185. https://doi.org/10.15176/vol50no209. Citirano 12.06.2021.
Chicago 17th Edition
Dujić, Lidija. "Iskustvo praga u Držićevoj Noveli od Stanca." Narodna umjetnost 50, br. 2 (2013): 173-185. https://doi.org/10.15176/vol50no209
Harvard
Dujić, L. (2013). 'Iskustvo praga u Držićevoj Noveli od Stanca', Narodna umjetnost, 50(2), str. 173-185. https://doi.org/10.15176/vol50no209
Vancouver
Dujić L. Iskustvo praga u Držićevoj Noveli od Stanca. Narodna umjetnost [Internet]. 2013 [pristupljeno 12.06.2021.];50(2):173-185. https://doi.org/10.15176/vol50no209
IEEE
L. Dujić, "Iskustvo praga u Držićevoj Noveli od Stanca", Narodna umjetnost, vol.50, br. 2, str. 173-185, 2013. [Online]. https://doi.org/10.15176/vol50no209

Sažetak
This analysis of Novela od Stanca (The Dream of Stanac), the only comedy in verse by Marin Držić preserved in its entirety, examines the flexibility of the genre, the parallels between comedic discourse and the rhetoric of law, and Držić’s focus on the most vulnerable sociopolitical aspects of city life. This focus reveals the ability of theatrical modes to encourage viewers to cross the threshold between aesthetic and non-aesthetic experience, and therefore also empower identity transformation. The subsuming of thresholds enabled by the Renaissance inversive carnival principle is also discussed in relation to the subversiveness that becomes explicit in the relationship between Novela od Stanca (The Dream of Stanac) and Držić’s conspiratorial letters.

Ključne riječi
Marin Držić; comedy; Renaissance; subversion

Hrčak ID: 112304

URI
https://hrcak.srce.hr/112304

[hrvatski]

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