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Go down, Moses: subversion and beyond

Sonja Bašić

Puni tekst: engleski, pdf (1 MB) str. 373-391 preuzimanja: 208* citiraj
APA 6th Edition
Bašić, S. (2001). Go down, Moses: subversion and beyond. Studia Romanica et Anglica Zagrabiensia, 45-46 (-), 373-391. Preuzeto s https://hrcak.srce.hr/117964
MLA 8th Edition
Bašić, Sonja. "Go down, Moses: subversion and beyond." Studia Romanica et Anglica Zagrabiensia, vol. 45-46, br. -, 2001, str. 373-391. https://hrcak.srce.hr/117964. Citirano 11.05.2021.
Chicago 17th Edition
Bašić, Sonja. "Go down, Moses: subversion and beyond." Studia Romanica et Anglica Zagrabiensia 45-46, br. - (2001): 373-391. https://hrcak.srce.hr/117964
Harvard
Bašić, S. (2001). 'Go down, Moses: subversion and beyond', Studia Romanica et Anglica Zagrabiensia, 45-46(-), str. 373-391. Preuzeto s: https://hrcak.srce.hr/117964 (Datum pristupa: 11.05.2021.)
Vancouver
Bašić S. Go down, Moses: subversion and beyond. Studia Romanica et Anglica Zagrabiensia [Internet]. 2001 [pristupljeno 11.05.2021.];45-46(-):373-391. Dostupno na: https://hrcak.srce.hr/117964
IEEE
S. Bašić, "Go down, Moses: subversion and beyond", Studia Romanica et Anglica Zagrabiensia, vol.45-46, br. -, str. 373-391, 2001. [Online]. Dostupno na: https://hrcak.srce.hr/117964. [Citirano: 11.05.2021.]

Sažetak
In the effort to redefine the place of "Go Down, Moses" in Faulkner's oeuvre the author reconsiders the boundaries between the novels assigned to Faulkner's 'major phase', stretching by more or less common consent from 1929 to 1942. She argues that Faulkner's experimentation is always juxtapositional, his narrative strategy combining two contrasted tendencies: the figural and the parodic. Although present in all Faulkner's novels, this doubleness, however, also allows her to make significant distinctions or groupings within the major period where "Absalom, Absalom!" should be seen as the great divide between the first figural group and the second 'parodic' group. She selects three novels from this second group: "The Wild
Palms", "The Hamlet" and "Go Down, Moses", stressing their shared hybridity of genre and structure, singling out "The Hamlet" as the culminating point. This 'redrawing of boundaries' finally allows her to place "Go Down, Moses" as another divide, both inside and outside the major phase, introducing the long late period in which 'Faulkner descends from the highest spheres of genius into a strata inhabited by great, even very great but only human writers.' And where "Go Down, Moses" stands wavering, in a somewhat precarious balance between the two spheres, partaking of both: a flawed work but indisputably still the work of a master.

Hrčak ID: 117964

URI
https://hrcak.srce.hr/117964

[hrvatski]

Posjeta: 366 *