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ACTRESSES’ IDENTITY IN CONTEMPORARY CROATIAN PLAYS

Lucija Ljubić   ORCID icon orcid.org/0000-0002-5496-6463 ; Odjel za kulturologiju Sveučilišta J.J. Strossmayera u Osijeku

Puni tekst: hrvatski, pdf (228 KB) str. 163-174 preuzimanja: 528* citiraj
APA 6th Edition
Ljubić, L. (2014). ŽENSKI GLUMAČKI IDENTITET U SUVREMENOJ HRVATSKOJ DRAMI – "DIVA" MARIJANE NOLA I "GLUMICE I TO" DUNJE FAJDIĆ. FLUMINENSIA, 26 (1), 163-174. Preuzeto s https://hrcak.srce.hr/124923
MLA 8th Edition
Ljubić, Lucija. "ŽENSKI GLUMAČKI IDENTITET U SUVREMENOJ HRVATSKOJ DRAMI – "DIVA" MARIJANE NOLA I "GLUMICE I TO" DUNJE FAJDIĆ." FLUMINENSIA, vol. 26, br. 1, 2014, str. 163-174. https://hrcak.srce.hr/124923. Citirano 30.03.2020.
Chicago 17th Edition
Ljubić, Lucija. "ŽENSKI GLUMAČKI IDENTITET U SUVREMENOJ HRVATSKOJ DRAMI – "DIVA" MARIJANE NOLA I "GLUMICE I TO" DUNJE FAJDIĆ." FLUMINENSIA 26, br. 1 (2014): 163-174. https://hrcak.srce.hr/124923
Harvard
Ljubić, L. (2014). 'ŽENSKI GLUMAČKI IDENTITET U SUVREMENOJ HRVATSKOJ DRAMI – "DIVA" MARIJANE NOLA I "GLUMICE I TO" DUNJE FAJDIĆ', FLUMINENSIA, 26(1), str. 163-174. Preuzeto s: https://hrcak.srce.hr/124923 (Datum pristupa: 30.03.2020.)
Vancouver
Ljubić L. ŽENSKI GLUMAČKI IDENTITET U SUVREMENOJ HRVATSKOJ DRAMI – "DIVA" MARIJANE NOLA I "GLUMICE I TO" DUNJE FAJDIĆ. FLUMINENSIA [Internet]. 2014 [pristupljeno 30.03.2020.];26(1):163-174. Dostupno na: https://hrcak.srce.hr/124923
IEEE
L. Ljubić, "ŽENSKI GLUMAČKI IDENTITET U SUVREMENOJ HRVATSKOJ DRAMI – "DIVA" MARIJANE NOLA I "GLUMICE I TO" DUNJE FAJDIĆ", FLUMINENSIA, vol.26, br. 1, str. 163-174, 2014. [Online]. Dostupno na: https://hrcak.srce.hr/124923. [Citirano: 30.03.2020.]

Sažetak
The paper discusses two contemporary Croatian plays – Diva written by Marijana Nola (City
theatre Žar ptica, Zagreb, 2010) and Actresses and More (Theatre in Peščenica, Zagreb, 2012). Both
plays focus on actresses’ identity from the perspective of their theatrical and nontheatrical
everyday lives in which the characters re-examine their roles – of females and actresses. Modes of
female identity construction are analyzed in the light of gender studies interest in the body and
trauma, the private and the public, and are related to the contemporary Croatian theatre. The
analysis reveals that the female characters of Diva act as opponents in both life and theatre, while
in the Actresses and More they are activists connected by mutual act of rebellion against the
contemporary theatre.

Ključne riječi
contemporary Croatian plays; female dramatic characters; actresses; identity; contemporary Croatian theatre

Hrčak ID: 124923

URI
https://hrcak.srce.hr/124923

[hrvatski]

Posjeta: 732 *