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Adriana Car-Mihec ; Pedagoški fakultet, Rijeka

Puni tekst: hrvatski, pdf (479 KB) str. 83-91 preuzimanja: 205* citiraj
APA 6th Edition
Car-Mihec, A. (1996). LITURGIJSKA DRAMA I NJEZINO PORIJEKLO. FLUMINENSIA, 8 (1-2), 83-91. Preuzeto s
MLA 8th Edition
Car-Mihec, Adriana. "LITURGIJSKA DRAMA I NJEZINO PORIJEKLO." FLUMINENSIA, vol. 8, br. 1-2, 1996, str. 83-91. Citirano 25.10.2020.
Chicago 17th Edition
Car-Mihec, Adriana. "LITURGIJSKA DRAMA I NJEZINO PORIJEKLO." FLUMINENSIA 8, br. 1-2 (1996): 83-91.
Car-Mihec, A. (1996). 'LITURGIJSKA DRAMA I NJEZINO PORIJEKLO', FLUMINENSIA, 8(1-2), str. 83-91. Preuzeto s: (Datum pristupa: 25.10.2020.)
Car-Mihec A. LITURGIJSKA DRAMA I NJEZINO PORIJEKLO. FLUMINENSIA [Internet]. 1996 [pristupljeno 25.10.2020.];8(1-2):83-91. Dostupno na:
A. Car-Mihec, "LITURGIJSKA DRAMA I NJEZINO PORIJEKLO", FLUMINENSIA, vol.8, br. 1-2, str. 83-91, 1996. [Online]. Dostupno na: [Citirano: 25.10.2020.]

On the assumption that the appearance of new literary works and genres in the Middle Ages was conditioned first of all on their usage and function, the authoress tries to justify the thesis according to which the appearence of the liturgic drama, owing to the need to include the masses into religion to make it firm, was conditioned by aspirations to visualize liturgic texts and the need that readers, that is, the public are not in doubt about narrators (actors, priest authorities) or the autonomy of characters who are being presented. The liturgic dramas appeared as presentations, performings of texts in contrast to telling or narrating liturgic ceremonies.

Ključne riječi
Middle Ages; liturgic drama; liturgic text; narrator

Hrčak ID: 132670



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