APA 6th Edition Milanja, C. (1997). KRLEŽIN PJESNIČKI EKSPRESIONIZAM. FLUMINENSIA, 9 (1-2), 17-32. Retrieved from https://hrcak.srce.hr/132786
MLA 8th Edition Milanja, Cvjetko. "KRLEŽIN PJESNIČKI EKSPRESIONIZAM." FLUMINENSIA, vol. 9, no. 1-2, 1997, pp. 17-32. https://hrcak.srce.hr/132786. Accessed 16 May 2021.
Chicago 17th Edition Milanja, Cvjetko. "KRLEŽIN PJESNIČKI EKSPRESIONIZAM." FLUMINENSIA 9, no. 1-2 (1997): 17-32. https://hrcak.srce.hr/132786
Harvard Milanja, C. (1997). 'KRLEŽIN PJESNIČKI EKSPRESIONIZAM', FLUMINENSIA, 9(1-2), pp. 17-32. Available at: https://hrcak.srce.hr/132786 (Accessed 16 May 2021)
Vancouver Milanja C. KRLEŽIN PJESNIČKI EKSPRESIONIZAM. FLUMINENSIA [Internet]. 1997 [cited 2021 May 16];9(1-2):17-32. Available from: https://hrcak.srce.hr/132786
IEEE C. Milanja, "KRLEŽIN PJESNIČKI EKSPRESIONIZAM", FLUMINENSIA, vol.9, no. 1-2, pp. 17-32, 1997. [Online]. Available: https://hrcak.srce.hr/132786. [Accessed: 16 May 2021]
Abstracts Due to literary aesthetic and poetical profilations, it is obvious that a particular 'partial' poetics in Krleža 'directs' towards a certain type of poetical praxis and a certain poetical model, which need not necessarily respect the idea and concept of the corpus as a whole, even less so due to the fact that Krleža himself developed and came to alter his ideological and poetical standpoints, 'correcting' the earlier type of poetical praxis from the sphere of theoretical mind - an altogether vain effort, to our mind.