APA 6th Edition Milanja, C. (1997). KRLEŽIN PJESNIČKI EKSPRESIONIZAM. FLUMINENSIA, 9 (1-2), 17-32. Preuzeto s https://hrcak.srce.hr/132786
MLA 8th Edition Milanja, Cvjetko. "KRLEŽIN PJESNIČKI EKSPRESIONIZAM." FLUMINENSIA, vol. 9, br. 1-2, 1997, str. 17-32. https://hrcak.srce.hr/132786. Citirano 14.05.2021.
Chicago 17th Edition Milanja, Cvjetko. "KRLEŽIN PJESNIČKI EKSPRESIONIZAM." FLUMINENSIA 9, br. 1-2 (1997): 17-32. https://hrcak.srce.hr/132786
Harvard Milanja, C. (1997). 'KRLEŽIN PJESNIČKI EKSPRESIONIZAM', FLUMINENSIA, 9(1-2), str. 17-32. Preuzeto s: https://hrcak.srce.hr/132786 (Datum pristupa: 14.05.2021.)
Vancouver Milanja C. KRLEŽIN PJESNIČKI EKSPRESIONIZAM. FLUMINENSIA [Internet]. 1997 [pristupljeno 14.05.2021.];9(1-2):17-32. Dostupno na: https://hrcak.srce.hr/132786
IEEE C. Milanja, "KRLEŽIN PJESNIČKI EKSPRESIONIZAM", FLUMINENSIA, vol.9, br. 1-2, str. 17-32, 1997. [Online]. Dostupno na: https://hrcak.srce.hr/132786. [Citirano: 14.05.2021.]
Sažetak Due to literary aesthetic and poetical profilations, it is obvious that a particular 'partial' poetics in Krleža 'directs' towards a certain type of poetical praxis and a certain poetical model, which need not necessarily respect the idea and concept of the corpus as a whole, even less so due to the fact that Krleža himself developed and came to alter his ideological and poetical standpoints, 'correcting' the earlier type of poetical praxis from the sphere of theoretical mind - an altogether vain effort, to our mind.