hrcak mascot   Srce   HID

Izvorni znanstveni članak
https://doi.org/10.15176/vol52no106

The Sevdalinka in Exile, Revisited: Young Bosnian Refugees’ Music-Making in Ljubljana in the 1990s (A Note on Applied Ethnomusicology)

Miha Kozorog ; Department of Ethnology and Cultural Anthropology, Faculty of Arts, University of Ljubljana
Alenka Bartulović ; Department of Ethnology and Cultural Anthropology, Faculty of Arts, University of Ljubljana

Puni tekst: engleski, pdf (1 MB) str. 121-142 preuzimanja: 536* citiraj
APA 6th Edition
Kozorog, M. i Bartulović, A. (2015). The Sevdalinka in Exile, Revisited: Young Bosnian Refugees’ Music-Making in Ljubljana in the 1990s (A Note on Applied Ethnomusicology). Narodna umjetnost, 52 (1), 121-142. https://doi.org/10.15176/vol52no106
MLA 8th Edition
Kozorog, Miha i Alenka Bartulović. "The Sevdalinka in Exile, Revisited: Young Bosnian Refugees’ Music-Making in Ljubljana in the 1990s (A Note on Applied Ethnomusicology)." Narodna umjetnost, vol. 52, br. 1, 2015, str. 121-142. https://doi.org/10.15176/vol52no106. Citirano 26.07.2021.
Chicago 17th Edition
Kozorog, Miha i Alenka Bartulović. "The Sevdalinka in Exile, Revisited: Young Bosnian Refugees’ Music-Making in Ljubljana in the 1990s (A Note on Applied Ethnomusicology)." Narodna umjetnost 52, br. 1 (2015): 121-142. https://doi.org/10.15176/vol52no106
Harvard
Kozorog, M., i Bartulović, A. (2015). 'The Sevdalinka in Exile, Revisited: Young Bosnian Refugees’ Music-Making in Ljubljana in the 1990s (A Note on Applied Ethnomusicology)', Narodna umjetnost, 52(1), str. 121-142. https://doi.org/10.15176/vol52no106
Vancouver
Kozorog M, Bartulović A. The Sevdalinka in Exile, Revisited: Young Bosnian Refugees’ Music-Making in Ljubljana in the 1990s (A Note on Applied Ethnomusicology). Narodna umjetnost [Internet]. 2015 [pristupljeno 26.07.2021.];52(1):121-142. https://doi.org/10.15176/vol52no106
IEEE
M. Kozorog i A. Bartulović, "The Sevdalinka in Exile, Revisited: Young Bosnian Refugees’ Music-Making in Ljubljana in the 1990s (A Note on Applied Ethnomusicology)", Narodna umjetnost, vol.52, br. 1, str. 121-142, 2015. [Online]. https://doi.org/10.15176/vol52no106

Sažetak
Scholars perceived the sevdalinka in exile as an evident expression of refugees’ Bosnian identity. Although this aspect might be important, we think that the identity dimension of the sevdalinka was overemphasised. That is why we point to the appearance of the sevdalinka in Slovenia as a complex process of experiencing uncertainty and trauma of forced migration on the one hand, and youth creativity or a search for expressive freedom on the other. Hence, we aim to move the focus from the refugees’ music life as collective experience to personal, highly individualised narratives. In addition, we argue that musical activities were organised in many aspects. An ethnomusicologist participated in these activities, therefore the work of applied ethnomusicology, together with its practice of strategic essentialisation of music, should be discussed as an integral part of the refugees’ music-making process.

Ključne riječi
sevdalinka; war in Bosnia and Herzegovina; applied ethnomusicology; refugee music; young refugees

Hrčak ID: 139953

URI
https://hrcak.srce.hr/139953

[hrvatski]

Posjeta: 965 *