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The Myth of the Innocent Eye and the Power of the Representation of the Gaze in Culture

Sonja Briski Uzelac ; Academy of Applied Arts, University of Rijeka, Croatia

Puni tekst: hrvatski, pdf (2 MB) str. 203-210 preuzimanja: 485* citiraj
APA 6th Edition
Briski Uzelac, S. (2015). Mit o nevinom oku i moć reprezentacije pogleda u kulturi. Ars Adriatica, (5), 203-210. Preuzeto s https://hrcak.srce.hr/149685
MLA 8th Edition
Briski Uzelac, Sonja. "Mit o nevinom oku i moć reprezentacije pogleda u kulturi." Ars Adriatica, vol. , br. 5, 2015, str. 203-210. https://hrcak.srce.hr/149685. Citirano 04.07.2020.
Chicago 17th Edition
Briski Uzelac, Sonja. "Mit o nevinom oku i moć reprezentacije pogleda u kulturi." Ars Adriatica , br. 5 (2015): 203-210. https://hrcak.srce.hr/149685
Harvard
Briski Uzelac, S. (2015). 'Mit o nevinom oku i moć reprezentacije pogleda u kulturi', Ars Adriatica, (5), str. 203-210. Preuzeto s: https://hrcak.srce.hr/149685 (Datum pristupa: 04.07.2020.)
Vancouver
Briski Uzelac S. Mit o nevinom oku i moć reprezentacije pogleda u kulturi. Ars Adriatica [Internet]. 2015 [pristupljeno 04.07.2020.];(5):203-210. Dostupno na: https://hrcak.srce.hr/149685
IEEE
S. Briski Uzelac, "Mit o nevinom oku i moć reprezentacije pogleda u kulturi", Ars Adriatica, vol., br. 5, str. 203-210, 2015. [Online]. Dostupno na: https://hrcak.srce.hr/149685. [Citirano: 04.07.2020.]

Sažetak
Ever since the visual culture started to develop as an independent field of scholarly interest in the 1980s, this process has been marked by
an ever-increasing expansion of the field of the visual and has come to be an interdisciplinary study where the visual is combined with the
anthropological model of scientific research, based in the theory of the visual. This methodological approach resulted in a new paradigm
of the image as a pre-requisite for a broader remit of the visual studies: the image as something separate from the medium itself and open
to exploratory questions such as where, how and when an is image created, when and how it is broadcast, emitted and transferred, when
and how the image is received, perceived and how it operates. This more or less coherent set of precepts which characterize the theory of
the visual forms a foundation for the consideration of several important puncti – at least three – which shift the focus of the discussion
from the objects that are observed to the actual act of observation. These include the myth of the innocent eye, the status and power
of representation in the construction of the gaze, and the transformation

Ključne riječi
deconstruction of the ‘innocent eye’; status of the mode of representation; construction of collective perception

Hrčak ID: 149685

URI
https://hrcak.srce.hr/149685

[hrvatski]

Posjeta: 688 *