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„The new women“ and Diocletian’s palace: A feminist contribution to fuctionalist reception

Josip Vrandečić ; Filozofski fakultet Sveučilišta u Splitu, Split, Hrvatska

Puni tekst: hrvatski, pdf (383 KB) str. 171-182 preuzimanja: 202* citiraj
APA 6th Edition
Vrandečić, J. (2015). „Nove žene“ (The new women) i Dioklecijanova palača: feministički prilog funkcionalističkoj recepciji. Adrias, (21), 171-182. Preuzeto s https://hrcak.srce.hr/149991
MLA 8th Edition
Vrandečić, Josip. "„Nove žene“ (The new women) i Dioklecijanova palača: feministički prilog funkcionalističkoj recepciji." Adrias, vol. , br. 21, 2015, str. 171-182. https://hrcak.srce.hr/149991. Citirano 19.10.2019.
Chicago 17th Edition
Vrandečić, Josip. "„Nove žene“ (The new women) i Dioklecijanova palača: feministički prilog funkcionalističkoj recepciji." Adrias , br. 21 (2015): 171-182. https://hrcak.srce.hr/149991
Harvard
Vrandečić, J. (2015). '„Nove žene“ (The new women) i Dioklecijanova palača: feministički prilog funkcionalističkoj recepciji', Adrias, (21), str. 171-182. Preuzeto s: https://hrcak.srce.hr/149991 (Datum pristupa: 19.10.2019.)
Vancouver
Vrandečić J. „Nove žene“ (The new women) i Dioklecijanova palača: feministički prilog funkcionalističkoj recepciji. Adrias [Internet]. 2015 [pristupljeno 19.10.2019.];(21):171-182. Dostupno na: https://hrcak.srce.hr/149991
IEEE
J. Vrandečić, "„Nove žene“ (The new women) i Dioklecijanova palača: feministički prilog funkcionalističkoj recepciji", Adrias, vol., br. 21, str. 171-182, 2015. [Online]. Dostupno na: https://hrcak.srce.hr/149991. [Citirano: 19.10.2019.]

Sažetak
This paper throws spotlight on the reception of Diocletian`s Palace in the works of three English women writers; Maudy Holbach, Rebecca West and Rose Macaulay. In the period from 1910 to 1953, each of them respectively wrote a travel book which attracted public attention, Split playing a prominent role in them. The author of the paper has found significant similarities in their reception: all three writers originated from post-victorian and colonial era which strengthened their belief in liberal principles and the Whig interpretation of history, furthermore, they approached the Palace using functionalist perspective where Ancient object exists in living correlation with historical purposefulness and social context. Accordingly, they perceived the Palace as the starting point, that is, the generator of the dominant cultural behaviour patterns of the citizens of Split. Its significance and harmonious completion dictate moderation and prudence as binding behaviour of the dominant public culture, simultaneously, its historical fate dictates criticism and distrust. Prudence and decorum in public form the dominant pattern of public culture which sanctions cultural transgressions as the behaviour of private subculture.

Ključne riječi
functionalist perception of Diocletian’s Palace; Maudy Holbach; Rebecca West; Rose Macaulay

Hrčak ID: 149991

URI
https://hrcak.srce.hr/149991

[hrvatski]

Posjeta: 406 *