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Izvorni znanstveni članak
https://doi.org/10.17234/SEC.27.7

“That was a joke, you should laugh!” – Tour Guides and the Performance of History in Budapest, Hungary

Kristina Uzelac
Saifullah Nasar
Macario B. Lacbawan jr. ; Goethe University Frankfurt, Germany

Puni tekst: engleski, pdf (994 KB) str. 307-326 preuzimanja: 1.181* citiraj
APA 6th Edition
Uzelac, K., Nasar, S. i Lacbawan jr., M.B. (2015). “That was a joke, you should laugh!” – Tour Guides and the Performance of History in Budapest, Hungary. Studia ethnologica Croatica, 27 (1), 307-326. https://doi.org/10.17234/SEC.27.7
MLA 8th Edition
Uzelac, Kristina, et al. "“That was a joke, you should laugh!” – Tour Guides and the Performance of History in Budapest, Hungary." Studia ethnologica Croatica, vol. 27, br. 1, 2015, str. 307-326. https://doi.org/10.17234/SEC.27.7. Citirano 14.06.2021.
Chicago 17th Edition
Uzelac, Kristina, Saifullah Nasar i Macario B. Lacbawan jr.. "“That was a joke, you should laugh!” – Tour Guides and the Performance of History in Budapest, Hungary." Studia ethnologica Croatica 27, br. 1 (2015): 307-326. https://doi.org/10.17234/SEC.27.7
Harvard
Uzelac, K., Nasar, S., i Lacbawan jr., M.B. (2015). '“That was a joke, you should laugh!” – Tour Guides and the Performance of History in Budapest, Hungary', Studia ethnologica Croatica, 27(1), str. 307-326. https://doi.org/10.17234/SEC.27.7
Vancouver
Uzelac K, Nasar S, Lacbawan jr. MB. “That was a joke, you should laugh!” – Tour Guides and the Performance of History in Budapest, Hungary. Studia ethnologica Croatica [Internet]. 2015 [pristupljeno 14.06.2021.];27(1):307-326. https://doi.org/10.17234/SEC.27.7
IEEE
K. Uzelac, S. Nasar i M.B. Lacbawan jr., "“That was a joke, you should laugh!” – Tour Guides and the Performance of History in Budapest, Hungary", Studia ethnologica Croatica, vol.27, br. 1, str. 307-326, 2015. [Online]. https://doi.org/10.17234/SEC.27.7

Sažetak
The turn to performativity in the social sciences has spawned a new wave of scholarship that considers tourism as a performative process. However, the manner through which scholars understand tourism as performative drama is limiting. A fundamental critique of dramaturgy stems from its inability to account for performance as a chain of emergent social processes. Using the case of free walking tours in Budapest, Hungary, we argue that treating tourism as a performance is an act of fusion that culls its technique by deploying dominant cultural codes, materiality and humor. Performance hinges on an attempt to fuse various elements in a dramatic presentation. These elements include the (1) unsettling presence of the audience’s feedback, (2) the lingering memory of previous performances, (3) the deployment of cultural codes, (4) the mundanity of the material means of symbolic presentation, and (5) the use of linguistic play through humor. We conclude this essay by elaborating other dimensions that could possibly open up more discussions on tourism as a performative phenomenon.

Ključne riječi
Performativity; dramaturgy; memory; humor; materiality; walking tour; Budapest

Hrčak ID: 150864

URI
https://hrcak.srce.hr/150864

[hrvatski]

Posjeta: 1.793 *