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The Kermis Iconography of David Teniers the Younger

Iva Pasini ; Strossmayerova galerija HAZU

Puni tekst: hrvatski, pdf (23 MB) str. 33-42 preuzimanja: 72* citiraj
APA 6th Edition
Pasini, I. (2004). Ikonografija kermesa u djelima Davida Teniersa ml. — genre motivi i tumačenja amblematskih sadržaja. Peristil, 47 (1), 33-42. Preuzeto s https://hrcak.srce.hr/151885
MLA 8th Edition
Pasini, Iva. "Ikonografija kermesa u djelima Davida Teniersa ml. — genre motivi i tumačenja amblematskih sadržaja." Peristil, vol. 47, br. 1, 2004, str. 33-42. https://hrcak.srce.hr/151885. Citirano 20.06.2019.
Chicago 17th Edition
Pasini, Iva. "Ikonografija kermesa u djelima Davida Teniersa ml. — genre motivi i tumačenja amblematskih sadržaja." Peristil 47, br. 1 (2004): 33-42. https://hrcak.srce.hr/151885
Harvard
Pasini, I. (2004). 'Ikonografija kermesa u djelima Davida Teniersa ml. — genre motivi i tumačenja amblematskih sadržaja', Peristil, 47(1), str. 33-42. Preuzeto s: https://hrcak.srce.hr/151885 (Datum pristupa: 20.06.2019.)
Vancouver
Pasini I. Ikonografija kermesa u djelima Davida Teniersa ml. — genre motivi i tumačenja amblematskih sadržaja. Peristil [Internet]. 2004 [pristupljeno 20.06.2019.];47(1):33-42. Dostupno na: https://hrcak.srce.hr/151885
IEEE
I. Pasini, "Ikonografija kermesa u djelima Davida Teniersa ml. — genre motivi i tumačenja amblematskih sadržaja", Peristil, vol.47, br. 1, str. 33-42, 2004. [Online]. Dostupno na: https://hrcak.srce.hr/151885. [Citirano: 20.06.2019.]

Sažetak
Taking as a starting point the painting of the Kermis (164?) by David Teniers the Younger in the Strossmayer Gallery in Zagreb, and comparing it to a series of other versions of the same theme by the same artist, the author has identified specific forms of the Kermis theme, and reasons for frequent appearance of the topic. The iconographic analysis is based on a study of genre motifs coterminous with a moral content of emblems, and with the help of the motto and textual accompaniment it is possible to explain the texture of meaning. Unveiling and condemnation of opiates, of immoderate eating and drinking is found in motifs of smoking, traditional naturalist motifs, and the motif of the swine. Recognition of transience and of vanity of earthly goods is expressed by emptying a bucket or a pipe. Poses and facial features indicate the lowly and lewd behavior. Such interpretations are reinforced by cotemporary literature.

Hrčak ID: 151885

URI
https://hrcak.srce.hr/151885

[hrvatski]

Posjeta: 145 *