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INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD

Ida Tomše

Fulltext: english, pdf (13 MB) pages 181-184 downloads: 119* cite
APA 6th Edition
Tomše, I. (1988). INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD. Peristil, 31-32 (1), 181-184. Retrieved from https://hrcak.srce.hr/153341
MLA 8th Edition
Tomše, Ida. "INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD." Peristil, vol. 31-32, no. 1, 1988, pp. 181-184. https://hrcak.srce.hr/153341. Accessed 26 Sep. 2021.
Chicago 17th Edition
Tomše, Ida. "INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD." Peristil 31-32, no. 1 (1988): 181-184. https://hrcak.srce.hr/153341
Harvard
Tomše, I. (1988). 'INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD', Peristil, 31-32(1), pp. 181-184. Available at: https://hrcak.srce.hr/153341 (Accessed 26 September 2021)
Vancouver
Tomše I. INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD. Peristil [Internet]. 1988 [cited 2021 September 26];31-32(1):181-184. Available from: https://hrcak.srce.hr/153341
IEEE
I. Tomše, "INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD", Peristil, vol.31-32, no. 1, pp. 181-184, 1988. [Online]. Available: https://hrcak.srce.hr/153341. [Accessed: 26 September 2021]

Abstracts
The Slovene nation entered the Eumpean history as
a»small nation«having previously constituted parf of the
»foreign «empire. In Slovenia, cu/ture had for centuries been
identified with art, u>hich actually represented its most
significanć and almost only secfion; under such historical
and social circumstances, the art oi >ergrew its fundamental
function and acquired certain ideological, i. e. political identification.
Thus, the art had to accomplish the comp/ex role
of national consciousness, politics, science, etc. In this paper,
an atte>npt is made to elucidate the establishment of our
institutions in the field of visual arts, thereby referring to
institutionalization in a broad sense, i. e. not only organization
of institutions but also of i >arious societies, programs,
exhibitions, some epoch-making publication, etc. A myth on
the national-liberation role of cu/ture, uhich appears to be
a specific feature of the Slovene cu/ture, also includes problems
related to the institutional level of v therefore having fortified national emancipation.

Hrčak ID: 153341

URI
https://hrcak.srce.hr/153341

[slovenian]

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