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CROATIAN PAINTING IN THE TWENTIES IN THE CONTEXT OF EUROPEAN TENDENCIES OF NEOREALISM

Ivanka Reberski ; Institut za povijest umjetnosti u Zagrebu

Puni tekst: hrvatski, pdf (16 MB) str. 337-340 preuzimanja: 98* citiraj
APA 6th Edition
Reberski, I. (1988). Hrvatsko slikarstvo dvadesetih godina u kontekstu evropskih tendencija novog realizma. Peristil, 31-32 (1), 337-340. Preuzeto s https://hrcak.srce.hr/153384
MLA 8th Edition
Reberski, Ivanka. "Hrvatsko slikarstvo dvadesetih godina u kontekstu evropskih tendencija novog realizma." Peristil, vol. 31-32, br. 1, 1988, str. 337-340. https://hrcak.srce.hr/153384. Citirano 08.04.2020.
Chicago 17th Edition
Reberski, Ivanka. "Hrvatsko slikarstvo dvadesetih godina u kontekstu evropskih tendencija novog realizma." Peristil 31-32, br. 1 (1988): 337-340. https://hrcak.srce.hr/153384
Harvard
Reberski, I. (1988). 'Hrvatsko slikarstvo dvadesetih godina u kontekstu evropskih tendencija novog realizma', Peristil, 31-32(1), str. 337-340. Preuzeto s: https://hrcak.srce.hr/153384 (Datum pristupa: 08.04.2020.)
Vancouver
Reberski I. Hrvatsko slikarstvo dvadesetih godina u kontekstu evropskih tendencija novog realizma. Peristil [Internet]. 1988 [pristupljeno 08.04.2020.];31-32(1):337-340. Dostupno na: https://hrcak.srce.hr/153384
IEEE
I. Reberski, "Hrvatsko slikarstvo dvadesetih godina u kontekstu evropskih tendencija novog realizma", Peristil, vol.31-32, br. 1, str. 337-340, 1988. [Online]. Dostupno na: https://hrcak.srce.hr/153384. [Citirano: 08.04.2020.]

Sažetak
Figural endeavors of the Cr oatian painters >n t)ze
n>id-twenties appeared to integrate quite well into the general
European context, at the same time presevving the
continuity of home tradition and artistic practice. During the
short-tervn, stylistically unifov>n appearance of Croatian neorealism,
u>ith a prevailing neoclassical and magic-realistic
component present in all our painters belo>zging to any generation
without exceptzon betu cen 1923 and 1926, a quite
synchronous stylistic correlation u>ith European tendencies
of neorealism can easily be recognized. Clear stylistic determinations
and a lzigh quality level were ac)zieved theveby
to such an extent, that this short period is quite distinctly
differentiated, imposing itself as one of the >nost i>npovta>zz
chapters of Croatian painting in the de> elopment of il s f igural
modernism.

Hrčak ID: 153384

URI
https://hrcak.srce.hr/153384

[hrvatski]

Posjeta: 173 *