APA 6th Edition Todosievski, Z. (1988). FICTION AND SCIENCE FICTION IN PAINTING. Peristil, 31-32 (1), 401-401. Preuzeto s https://hrcak.srce.hr/153387
MLA 8th Edition Todosievski, Zlatko. "FICTION AND SCIENCE FICTION IN PAINTING." Peristil, vol. 31-32, br. 1, 1988, str. 401-401. https://hrcak.srce.hr/153387. Citirano 04.04.2020.
Chicago 17th Edition Todosievski, Zlatko. "FICTION AND SCIENCE FICTION IN PAINTING." Peristil 31-32, br. 1 (1988): 401-401. https://hrcak.srce.hr/153387
Harvard Todosievski, Z. (1988). 'FICTION AND SCIENCE FICTION IN PAINTING', Peristil, 31-32(1), str. 401-401. Preuzeto s: https://hrcak.srce.hr/153387 (Datum pristupa: 04.04.2020.)
Vancouver Todosievski Z. FICTION AND SCIENCE FICTION IN PAINTING. Peristil [Internet]. 1988 [pristupljeno 04.04.2020.];31-32(1):401-401. Dostupno na: https://hrcak.srce.hr/153387
IEEE Z. Todosievski, "FICTION AND SCIENCE FICTION IN PAINTING", Peristil, vol.31-32, br. 1, str. 401-401, 1988. [Online]. Dostupno na: https://hrcak.srce.hr/153387. [Citirano: 04.04.2020.]
Sažetak The terms we commonly use in colloquial speech or
in professional discussions and papers, referring to current
visual arts, constitute part of our vocabulary, thereby occasionally
changing their meaning considerably in relation
to the original one. At the same time, everyone u >i// add some
specific meaning of his ouvz, u>hich often makes their
use quite absurđ.
tion and science fiction, the latter being quite infrequently
used in n>odem painting. When applied in a study of visua/
arts, though, meaning is further complicated, especially because
there they are asa rule used as they are applied in literatuve,
ubere different »/au>s«are z>alid, or some subjectiz>e,
actually sense/ess»meaning<> is arbitrarily in>posed upon them.