APA 6th Edition Todosievski, Z. (1988). FICTION AND SCIENCE FICTION IN PAINTING. Peristil, 31-32 (1), 401-401. Retrieved from https://hrcak.srce.hr/153387
MLA 8th Edition Todosievski, Zlatko. "FICTION AND SCIENCE FICTION IN PAINTING." Peristil, vol. 31-32, no. 1, 1988, pp. 401-401. https://hrcak.srce.hr/153387. Accessed 21 Sep. 2021.
Chicago 17th Edition Todosievski, Zlatko. "FICTION AND SCIENCE FICTION IN PAINTING." Peristil 31-32, no. 1 (1988): 401-401. https://hrcak.srce.hr/153387
Harvard Todosievski, Z. (1988). 'FICTION AND SCIENCE FICTION IN PAINTING', Peristil, 31-32(1), pp. 401-401. Available at: https://hrcak.srce.hr/153387 (Accessed 21 September 2021)
Vancouver Todosievski Z. FICTION AND SCIENCE FICTION IN PAINTING. Peristil [Internet]. 1988 [cited 2021 September 21];31-32(1):401-401. Available from: https://hrcak.srce.hr/153387
IEEE Z. Todosievski, "FICTION AND SCIENCE FICTION IN PAINTING", Peristil, vol.31-32, no. 1, pp. 401-401, 1988. [Online]. Available: https://hrcak.srce.hr/153387. [Accessed: 21 September 2021]
Abstracts The terms we commonly use in colloquial speech or
in professional discussions and papers, referring to current
visual arts, constitute part of our vocabulary, thereby occasionally
changing their meaning considerably in relation
to the original one. At the same time, everyone u >i// add some
specific meaning of his ouvz, u>hich often makes their
use quite absurđ.
tion and science fiction, the latter being quite infrequently
used in n>odem painting. When applied in a study of visua/
arts, though, meaning is further complicated, especially because
there they are asa rule used as they are applied in literatuve,
ubere different »/au>s«are z>alid, or some subjectiz>e,
actually sense/ess»meaning<> is arbitrarily in>posed upon them.