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Conference paper


Zlatko Todosievski ; Republički komitet za kulturu u Skopju

Fulltext: english, pdf (23 MB) pages 401-401 downloads: 118* cite
APA 6th Edition
Todosievski, Z. (1988). FICTION AND SCIENCE FICTION IN PAINTING. Peristil, 31-32 (1), 401-401. Retrieved from
MLA 8th Edition
Todosievski, Zlatko. "FICTION AND SCIENCE FICTION IN PAINTING." Peristil, vol. 31-32, no. 1, 1988, pp. 401-401. Accessed 21 Sep. 2021.
Chicago 17th Edition
Todosievski, Zlatko. "FICTION AND SCIENCE FICTION IN PAINTING." Peristil 31-32, no. 1 (1988): 401-401.
Todosievski, Z. (1988). 'FICTION AND SCIENCE FICTION IN PAINTING', Peristil, 31-32(1), pp. 401-401. Available at: (Accessed 21 September 2021)
Todosievski Z. FICTION AND SCIENCE FICTION IN PAINTING. Peristil [Internet]. 1988 [cited 2021 September 21];31-32(1):401-401. Available from:
Z. Todosievski, "FICTION AND SCIENCE FICTION IN PAINTING", Peristil, vol.31-32, no. 1, pp. 401-401, 1988. [Online]. Available: [Accessed: 21 September 2021]

The terms we commonly use in colloquial speech or
in professional discussions and papers, referring to current
visual arts, constitute part of our vocabulary, thereby occasionally
changing their meaning considerably in relation
to the original one. At the same time, everyone u >i// add some
specific meaning of his ouvz, u>hich often makes their
use quite absurđ.
tion and science fiction, the latter being quite infrequently
used in n>odem painting. When applied in a study of visua/
arts, though, meaning is further complicated, especially because
there they are asa rule used as they are applied in literatuve,
ubere different »/au>s«are z>alid, or some subjectiz>e,
actually sense/ess»meaning<> is arbitrarily in>posed upon them.

Hrčak ID: 153387



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