APA 6th Edition Prijatelj, K. (1983). Novi prilog o Branislavu Deškoviću. Peristil, 26 (1), 81-87. Preuzeto s https://hrcak.srce.hr/153866
MLA 8th Edition Prijatelj, Kruno. "Novi prilog o Branislavu Deškoviću." Peristil, vol. 26, br. 1, 1983, str. 81-87. https://hrcak.srce.hr/153866. Citirano 05.04.2020.
Chicago 17th Edition Prijatelj, Kruno. "Novi prilog o Branislavu Deškoviću." Peristil 26, br. 1 (1983): 81-87. https://hrcak.srce.hr/153866
Harvard Prijatelj, K. (1983). 'Novi prilog o Branislavu Deškoviću', Peristil, 26(1), str. 81-87. Preuzeto s: https://hrcak.srce.hr/153866 (Datum pristupa: 05.04.2020.)
Vancouver Prijatelj K. Novi prilog o Branislavu Deškoviću. Peristil [Internet]. 1983 [pristupljeno 05.04.2020.];26(1):81-87. Dostupno na: https://hrcak.srce.hr/153866
IEEE K. Prijatelj, "Novi prilog o Branislavu Deškoviću", Peristil, vol.26, br. 1, str. 81-87, 1983. [Online]. Dostupno na: https://hrcak.srce.hr/153866. [Citirano: 05.04.2020.]
Sažetak While evoking a concise memory of Branislav Dešković (1883 —1937) the great Croatian sculptor of animalistic motifs, and summing up interpretations by earlier authors on the artist's work, this author acquaints us with his interesting discovery on the evident influence that Pierre-Jules Mène (1810 — 1879)t he French sculptor had on this Croatian master. Dešković was undoubtedly inspired in some of his portrayal of dogs by his knowledge of Mène's animal figures, but his scuptural concept was different in essence. The verisme of Mène's interpretation was replaced by a feeling for synthesis of form and »impressionistic« modelation of volume. Dešković's artistic vision was based on momentary impresslon, and a sketchy, free treatment of the surface and a stress on contrasts of light and shadow.