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Gundulić's Dubravka: a Play Devoid of Drama

Antun Pavešković

Puni tekst: hrvatski, pdf (246 KB) str. 159-189 preuzimanja: 1.045* citiraj
APA 6th Edition
Pavešković, A. (2007). Dubrovka ili odustanak od drame. Anali Zavoda za povijesne znanosti Hrvatske akademije znanosti i umjetnosti u Dubrovniku, (45), 159-189. Preuzeto s https://hrcak.srce.hr/16201
MLA 8th Edition
Pavešković, Antun. "Dubrovka ili odustanak od drame." Anali Zavoda za povijesne znanosti Hrvatske akademije znanosti i umjetnosti u Dubrovniku, vol. , br. 45, 2007, str. 159-189. https://hrcak.srce.hr/16201. Citirano 26.11.2020.
Chicago 17th Edition
Pavešković, Antun. "Dubrovka ili odustanak od drame." Anali Zavoda za povijesne znanosti Hrvatske akademije znanosti i umjetnosti u Dubrovniku , br. 45 (2007): 159-189. https://hrcak.srce.hr/16201
Harvard
Pavešković, A. (2007). 'Dubrovka ili odustanak od drame', Anali Zavoda za povijesne znanosti Hrvatske akademije znanosti i umjetnosti u Dubrovniku, (45), str. 159-189. Preuzeto s: https://hrcak.srce.hr/16201 (Datum pristupa: 26.11.2020.)
Vancouver
Pavešković A. Dubrovka ili odustanak od drame. Anali Zavoda za povijesne znanosti Hrvatske akademije znanosti i umjetnosti u Dubrovniku [Internet]. 2007 [pristupljeno 26.11.2020.];(45):159-189. Dostupno na: https://hrcak.srce.hr/16201
IEEE
A. Pavešković, "Dubrovka ili odustanak od drame", Anali Zavoda za povijesne znanosti Hrvatske akademije znanosti i umjetnosti u Dubrovniku, vol., br. 45, str. 159-189, 2007. [Online]. Dostupno na: https://hrcak.srce.hr/16201. [Citirano: 26.11.2020.]

Sažetak
Dubravka, one of Gundulić’s most famous works, falls among the greatest achievements of Croatian literature. Generally viewed as a model ode to liberty and independence of Dubrovnik, Marxist literary criticism, however, tended to vulgarize the drama by interpreting it as a patrician philippic against Ragusan wealthy commoners who, dissatisfied with their status, demanded greater participation in the public and political life of Dubrovnik. More recent interpretations have seen it as a theological allegory and a genre hybrid. Some literary historians still insist on its being a Baroque pastoral as opposed to those who draw attention to the numerous non-functional and non-dramatic elements of the play’s typical libretto composition. Close reading of the content confirms Dubravka’s alogical dramatic construction. Basing his article on more recent interpretations of the political-allegorical grounding of the play, the author establishes that Gundulić employed and at the same time manipulated with the formal characteristics of a pastoral in order to emphasize the ideological overtones which run through the play, viewing himself as an exclusive interpreter of the class interests of Ragusan patriciate.

Hrčak ID: 16201

URI
https://hrcak.srce.hr/16201

[hrvatski]

Posjeta: 1.781 *