hrcak mascot   Srce   HID

Izvorni znanstveni članak

Contribution to the Study of Matteo Moronzon di Andrea

Barbara Španjol-Pandelo ; Department of Art History, Faculty of Humanities, University of Rijeka

Puni tekst: engleski, pdf (3 MB) str. 103-120 preuzimanja: 118* citiraj
APA 6th Edition
Španjol-Pandelo, B. (2016). Contribution to the Study of Matteo Moronzon di Andrea. Ars Adriatica, (6), 103-120. Preuzeto s https://hrcak.srce.hr/170706
MLA 8th Edition
Španjol-Pandelo, Barbara. "Contribution to the Study of Matteo Moronzon di Andrea." Ars Adriatica, vol. , br. 6, 2016, str. 103-120. https://hrcak.srce.hr/170706. Citirano 28.02.2020.
Chicago 17th Edition
Španjol-Pandelo, Barbara. "Contribution to the Study of Matteo Moronzon di Andrea." Ars Adriatica , br. 6 (2016): 103-120. https://hrcak.srce.hr/170706
Harvard
Španjol-Pandelo, B. (2016). 'Contribution to the Study of Matteo Moronzon di Andrea', Ars Adriatica, (6), str. 103-120. Preuzeto s: https://hrcak.srce.hr/170706 (Datum pristupa: 28.02.2020.)
Vancouver
Španjol-Pandelo B. Contribution to the Study of Matteo Moronzon di Andrea. Ars Adriatica [Internet]. 2016 [pristupljeno 28.02.2020.];(6):103-120. Dostupno na: https://hrcak.srce.hr/170706
IEEE
B. Španjol-Pandelo, "Contribution to the Study of Matteo Moronzon di Andrea", Ars Adriatica, vol., br. 6, str. 103-120, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170706. [Citirano: 28.02.2020.]
Puni tekst: hrvatski, pdf (3 MB) str. 103-120 preuzimanja: 587* citiraj
APA 6th Edition
Španjol-Pandelo, B. (2016). Prilog poznavanju djelovanja Mateja Andrijina Moronzona. Ars Adriatica, (6), 103-120. Preuzeto s https://hrcak.srce.hr/170706
MLA 8th Edition
Španjol-Pandelo, Barbara. "Prilog poznavanju djelovanja Mateja Andrijina Moronzona." Ars Adriatica, vol. , br. 6, 2016, str. 103-120. https://hrcak.srce.hr/170706. Citirano 28.02.2020.
Chicago 17th Edition
Španjol-Pandelo, Barbara. "Prilog poznavanju djelovanja Mateja Andrijina Moronzona." Ars Adriatica , br. 6 (2016): 103-120. https://hrcak.srce.hr/170706
Harvard
Španjol-Pandelo, B. (2016). 'Prilog poznavanju djelovanja Mateja Andrijina Moronzona', Ars Adriatica, (6), str. 103-120. Preuzeto s: https://hrcak.srce.hr/170706 (Datum pristupa: 28.02.2020.)
Vancouver
Španjol-Pandelo B. Prilog poznavanju djelovanja Mateja Andrijina Moronzona. Ars Adriatica [Internet]. 2016 [pristupljeno 28.02.2020.];(6):103-120. Dostupno na: https://hrcak.srce.hr/170706
IEEE
B. Španjol-Pandelo, "Prilog poznavanju djelovanja Mateja Andrijina Moronzona", Ars Adriatica, vol., br. 6, str. 103-120, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170706. [Citirano: 28.02.2020.]

Sažetak
Matteo Moronzon, a member of the Venetian family
of woodcarvers, was mentioned for the first time in 1407
according to the present known archival documents.
Probably after being trained in his father's workshop in
Venice, he moved to Zadar with his family – his wife
Francisca and sons Pietro and Francesco. In 1418 he undertook
the commission of furnishing carved choir stalls
for the cathedral of St. Anastasia in Zadar. Various archival
documents testify that Matteo lived and worked in
Zadar for many years. Therefore it can be assumed that
he probably founded his own workshop in Zadar where
his son Francesco was trained too.
Apart from the attempt to reconstruct Matteo's life and
career, the aim of this paper is to interpret one important
woodcarving work of art preserved in situ: choir stalls in
the former cathedral of Rab, today the arch parish church
of the Assumption of the Blessed Virgin Mary in Rab.
Without doubt Matteo was the master carver in the
production of the choir stalls in Zadar. Since he lived in
Zadar it was not unusual that he had the main role in
carving the stalls. In Zadar the selection of motives is
more balanced and there are no significant differences in
the modelling of decorative elements. However, the question
whether Matteo carved absolutely everything or he
had assistants arises. Considering the amount of work
that had to be done it must be assumed that he had assistants
who participated in work and helped him to shape
the stalls. However, in literature Matteo was considered
the only and undisputed author of the choir stalls in Zadar,
mostly because of the preserved document.
The analysis of the choir stalls in Rab by Ivo Petricioli
as well as their evident formal and stylistic similarities
with the stalls from the cathedral in Zadar have led to
the general acceptance of the hypothesis that they were
carved at the workshop of Matteo Moronzon. However,
a comprehensive comparative analysis that could confirm
that hypothesis was still missing. The analysis of the
details and the whole led to the overall conclusion that
there were a huge number of similarities between the
choir stalls in Rab and Zadar. Therefore it was concluded
that Matteo was the principal designer of the choir stalls
in Rab who also carved the best parts in Rab, while others,
less successful parts, were made by his apprentices
and assistants who at the time lived on the island of Rab.
In this respect, if Matteo was accepted as the author of
the choir stalls of the cathedral in Zadar he must also
be accepted as the author of the choir stalls from the excathedral
in Rab.

Ključne riječi
Matteo Moronzone di Andrea; choir stalls; woodcarving; Rab; Zadar

Hrčak ID: 170706

URI
https://hrcak.srce.hr/170706

[hrvatski]

Posjeta: 931 *