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Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf

Marijan Bradanović   ORCID icon orcid.org/0000-0001-9518-6052 ; Department of Art History, Faculty of Humanities, University of Rijeka

Puni tekst: engleski, pdf (3 MB) str. 1221-138 preuzimanja: 249* citiraj
APA 6th Edition
Bradanović, M. (2016). Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf. Ars Adriatica, (6), 1221-138. Preuzeto s https://hrcak.srce.hr/170709
MLA 8th Edition
Bradanović, Marijan. "Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf." Ars Adriatica, vol. , br. 6, 2016, str. 1221-138. https://hrcak.srce.hr/170709. Citirano 15.08.2020.
Chicago 17th Edition
Bradanović, Marijan. "Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf." Ars Adriatica , br. 6 (2016): 1221-138. https://hrcak.srce.hr/170709
Harvard
Bradanović, M. (2016). 'Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf', Ars Adriatica, (6), str. 1221-138. Preuzeto s: https://hrcak.srce.hr/170709 (Datum pristupa: 15.08.2020.)
Vancouver
Bradanović M. Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf. Ars Adriatica [Internet]. 2016 [pristupljeno 15.08.2020.];(6):1221-138. Dostupno na: https://hrcak.srce.hr/170709
IEEE
M. Bradanović, "Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf", Ars Adriatica, vol., br. 6, str. 1221-138, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170709. [Citirano: 15.08.2020.]
Puni tekst: hrvatski, pdf (3 MB) str. 121-138 preuzimanja: 610* citiraj
APA 6th Edition
Bradanović, M. (2016). Još jednom o širenju renesansne skulpture na Kvarneru. Ars Adriatica, (6), 121-138. Preuzeto s https://hrcak.srce.hr/170709
MLA 8th Edition
Bradanović, Marijan. "Još jednom o širenju renesansne skulpture na Kvarneru." Ars Adriatica, vol. , br. 6, 2016, str. 121-138. https://hrcak.srce.hr/170709. Citirano 15.08.2020.
Chicago 17th Edition
Bradanović, Marijan. "Još jednom o širenju renesansne skulpture na Kvarneru." Ars Adriatica , br. 6 (2016): 121-138. https://hrcak.srce.hr/170709
Harvard
Bradanović, M. (2016). 'Još jednom o širenju renesansne skulpture na Kvarneru', Ars Adriatica, (6), str. 121-138. Preuzeto s: https://hrcak.srce.hr/170709 (Datum pristupa: 15.08.2020.)
Vancouver
Bradanović M. Još jednom o širenju renesansne skulpture na Kvarneru. Ars Adriatica [Internet]. 2016 [pristupljeno 15.08.2020.];(6):121-138. Dostupno na: https://hrcak.srce.hr/170709
IEEE
M. Bradanović, "Još jednom o širenju renesansne skulpture na Kvarneru", Ars Adriatica, vol., br. 6, str. 121-138, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170709. [Citirano: 15.08.2020.]

Sažetak
This paper aims at reinterpreting the activity of major
workshops of stone sculpture in the Kvarner Gulf during
the Renaissance period on the basis of new attributions.
The author begins by analysing a phenomenon of
exquisite quality as well as widespread presence, namely
the workshop of Master Franjo Marangonić (Francesco
Marangon) on the island of Cres. Franjo’s figural sculpture
has been found not only in numerous localities on
Cres, in the town of Krk and the area of Krk’s summerhouses,
but also on the mainland: in Crikvenica and
eventually in Senj, dated as early as 1487. Features of his
work have been observed in a relief from Novalja, which
at that time belonged to Rab’s territories. It should be
noted that the workshop master modelled his relief of
Madonna with the Child, located on the front façade of
the parish church of Dragozetići on the island of Cres,
on the polyptych of the Vivarini brothers in Kampor.
Along with such examples taken from the immediate
surrounding, one can observe clear and direct Venetian
models in his workshop, especially the characteristic
combination of various types of stone and marble in order
to achieve a polychrome effect. The paper further
reinterprets the oeuvre of Petar Radov on the island of
Rab, attributing some achievements in Krk and Senj to
his workshop. The author has also created subgroups
of sculptures within the previously established opus of
this master and indicated some of the direct followers of
his working technique. The paper further analyses links
between Senj and Rab on the basis of comparison between
sculpture in the large Dominis palace in Rab and
that in the Lion’s Court, with additional examples from
Senj. In conclusion, the author discusses the time period
that preceded the activity of Franjo’s and Petar Radov’s
workshops, as well as Aleši’s activity on the islands of
Kvarner, supposing the influence of other masters from
the circle of Juraj Dalmatinac. Regionally, the impact of
the building site of Novi Pag has been emphasized as
particularly noteworthy.

Ključne riječi
stone sculpture; Kvarner Gulf; Master Franjo; Petar Radov; 15th and 16th centuries

Hrčak ID: 170709

URI
https://hrcak.srce.hr/170709

[hrvatski]

Posjeta: 1.105 *