APA 6th Edition Jelača, M. (2016). From Rationalism to Realism in The Wire. Umjetnost riječi, 60 (3-4), 261-290. Preuzeto s https://hrcak.srce.hr/184383
MLA 8th Edition Jelača, Matija. "From Rationalism to Realism in The Wire." Umjetnost riječi, vol. 60, br. 3-4, 2016, str. 261-290. https://hrcak.srce.hr/184383. Citirano 30.10.2020.
Chicago 17th Edition Jelača, Matija. "From Rationalism to Realism in The Wire." Umjetnost riječi 60, br. 3-4 (2016): 261-290. https://hrcak.srce.hr/184383
Harvard Jelača, M. (2016). 'From Rationalism to Realism in The Wire', Umjetnost riječi, 60(3-4), str. 261-290. Preuzeto s: https://hrcak.srce.hr/184383 (Datum pristupa: 30.10.2020.)
Vancouver Jelača M. From Rationalism to Realism in The Wire. Umjetnost riječi [Internet]. 2016 [pristupljeno 30.10.2020.];60(3-4):261-290. Dostupno na: https://hrcak.srce.hr/184383
IEEE M. Jelača, "From Rationalism to Realism in The Wire", Umjetnost riječi, vol.60, br. 3-4, str. 261-290, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/184383. [Citirano: 30.10.2020.]
Sažetak One of the most striking and frequently praised aspects of HBO’s cult
TV series The Wire is its purported realism. Why this series is virtually unanimously perceived as realistic is the main question that this paper
will attempt to answer. The question is addressed from the perspective
of Robert Brandom’s neo-pragmatist rationalist philosophical project
in general, and his account of the appearance/reality distinction in
particular. The first part of the paper introduces Brandom’s neo-pragmatist rationalist account of the relation between appearance and reality as explicated in his book Reason in Philosophy. The second part addresses the question of the verisimilitude of The Wire in these Brandomian rationalist terms. It is thereby suggested that, first, The Wire appears to be real because it is rational—i.e. because it rationally integrates all its commitments into a single unified whole—and second, it is recognized as real because it exhibits an expressively progressive structure—i.e. it gradually makes explicit the commitments that were held implicitly throughout the course of its five seasons.