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Original scientific paper

THE LITERARY/SCENE SPACE OF LIVING PICTURES BASED ON TRADITIONAL FOLK TEMPLATES

Branka Brlenić-Vujić ; Faculty of philosophy in Osijek

Fulltext: english, pdf (144 KB) pages 94-105 downloads: 28* cite
APA 6th Edition
Brlenić-Vujić, B. (2017). THE LITERARY/SCENE SPACE OF LIVING PICTURES BASED ON TRADITIONAL FOLK TEMPLATES. Dani Hvarskoga kazališta, 43 (1), 94-105. Retrieved from https://hrcak.srce.hr/192176
MLA 8th Edition
Brlenić-Vujić, Branka. "THE LITERARY/SCENE SPACE OF LIVING PICTURES BASED ON TRADITIONAL FOLK TEMPLATES." Dani Hvarskoga kazališta, vol. 43, no. 1, 2017, pp. 94-105. https://hrcak.srce.hr/192176. Accessed 22 Jan. 2020.
Chicago 17th Edition
Brlenić-Vujić, Branka. "THE LITERARY/SCENE SPACE OF LIVING PICTURES BASED ON TRADITIONAL FOLK TEMPLATES." Dani Hvarskoga kazališta 43, no. 1 (2017): 94-105. https://hrcak.srce.hr/192176
Harvard
Brlenić-Vujić, B. (2017). 'THE LITERARY/SCENE SPACE OF LIVING PICTURES BASED ON TRADITIONAL FOLK TEMPLATES', Dani Hvarskoga kazališta, 43(1), pp. 94-105. Available at: https://hrcak.srce.hr/192176 (Accessed 22 January 2020)
Vancouver
Brlenić-Vujić B. THE LITERARY/SCENE SPACE OF LIVING PICTURES BASED ON TRADITIONAL FOLK TEMPLATES. Dani Hvarskoga kazališta [Internet]. 2017 [cited 2020 January 22];43(1):94-105. Available from: https://hrcak.srce.hr/192176
IEEE
B. Brlenić-Vujić, "THE LITERARY/SCENE SPACE OF LIVING PICTURES BASED ON TRADITIONAL FOLK TEMPLATES", Dani Hvarskoga kazališta, vol.43, no. 1, pp. 94-105, 2017. [Online]. Available: https://hrcak.srce.hr/192176. [Accessed: 22 January 2020]
Fulltext: croatian, pdf (144 KB) pages 94-105 downloads: 51* cite
APA 6th Edition
Brlenić-Vujić, B. (2017). KNJIŽEVNO-SCENSKI PROSTOR ŽIVIH SLIKA NA PREDLOŠKU PUČKE TRADICIJE. Dani Hvarskoga kazališta, 43 (1), 94-105. Retrieved from https://hrcak.srce.hr/192176
MLA 8th Edition
Brlenić-Vujić, Branka. "KNJIŽEVNO-SCENSKI PROSTOR ŽIVIH SLIKA NA PREDLOŠKU PUČKE TRADICIJE." Dani Hvarskoga kazališta, vol. 43, no. 1, 2017, pp. 94-105. https://hrcak.srce.hr/192176. Accessed 22 Jan. 2020.
Chicago 17th Edition
Brlenić-Vujić, Branka. "KNJIŽEVNO-SCENSKI PROSTOR ŽIVIH SLIKA NA PREDLOŠKU PUČKE TRADICIJE." Dani Hvarskoga kazališta 43, no. 1 (2017): 94-105. https://hrcak.srce.hr/192176
Harvard
Brlenić-Vujić, B. (2017). 'KNJIŽEVNO-SCENSKI PROSTOR ŽIVIH SLIKA NA PREDLOŠKU PUČKE TRADICIJE', Dani Hvarskoga kazališta, 43(1), pp. 94-105. Available at: https://hrcak.srce.hr/192176 (Accessed 22 January 2020)
Vancouver
Brlenić-Vujić B. KNJIŽEVNO-SCENSKI PROSTOR ŽIVIH SLIKA NA PREDLOŠKU PUČKE TRADICIJE. Dani Hvarskoga kazališta [Internet]. 2017 [cited 2020 January 22];43(1):94-105. Available from: https://hrcak.srce.hr/192176
IEEE
B. Brlenić-Vujić, "KNJIŽEVNO-SCENSKI PROSTOR ŽIVIH SLIKA NA PREDLOŠKU PUČKE TRADICIJE", Dani Hvarskoga kazališta, vol.43, no. 1, pp. 94-105, 2017. [Online]. Available: https://hrcak.srce.hr/192176. [Accessed: 22 January 2020]

Abstracts
This works sheds light on popular folk traditions incorporated into the literary/scene space of living pictures. These paradigmatic pictures, frozen in the sensibilities of middle-age folk traditions, were written into collective memory though the works of Antun Gustav Matoš in Dojmovima i ogledima s pariške izložbe, from 1900 and 1902; the paintings of Bela Csikos-Sessie in the Dekorativni panneau cycle, at an exhibition in Paris in 1900; the travelogue by Nikola Andrić from 1922, titled U posjetima kod dva Isusa i jednoga sv. Petra iz Ober-Ammergaua. The author’s pilgrimage into the spiritual temples of folk art is a theatrical adaptation of the visual spectacle of middle-age visualization, in its highlighted relationship toward transcendent reality in harmony with its poetics and the time of its reception.

Keywords
folk tradition; open scene space; speaking through living pictures; semantics of visual effects; Antun Gustav Matoš; Bela Csikos-Sessia; Nikola Andrić

Hrčak ID: 192176

URI
https://hrcak.srce.hr/192176

[croatian]

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