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https://doi.org/10.21857/90836cwezy

Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project

Danko Zelić   ORCID icon orcid.org/0000-0002-7302-6768 ; Institute of Art History in Zagreb, Zagreb, Croatia

Puni tekst: engleski, pdf (1 MB) str. 75-94 preuzimanja: 178* citiraj
APA 6th Edition
Zelić, D. (2018). Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project. Dubrovnik annals, (22), 75-94. https://doi.org/10.21857/90836cwezy
MLA 8th Edition
Zelić, Danko. "Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project." Dubrovnik annals, vol. , br. 22, 2018, str. 75-94. https://doi.org/10.21857/90836cwezy. Citirano 19.01.2020.
Chicago 17th Edition
Zelić, Danko. "Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project." Dubrovnik annals , br. 22 (2018): 75-94. https://doi.org/10.21857/90836cwezy
Harvard
Zelić, D. (2018). 'Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project', Dubrovnik annals, (22), str. 75-94. https://doi.org/10.21857/90836cwezy
Vancouver
Zelić D. Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project. Dubrovnik annals [Internet]. 2018 [pristupljeno 19.01.2020.];(22):75-94. https://doi.org/10.21857/90836cwezy
IEEE
D. Zelić, "Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project", Dubrovnik annals, vol., br. 22, str. 75-94, 2018. [Online]. https://doi.org/10.21857/90836cwezy

Sažetak
Based on the results of most recent research concerning the so-called fourth block of communal houses in the early 1560s, this article argues in favour of the assumption that the facade of this particular block was used as a model for all the house facades later constructed on the north side of the Placa, at first, directly—in the hitherto unknown construction undertakings of two new blocks of communal houses in the westernmost part of the city’s main thoroughfare (near the Franciscan Church) in the early, i.e., mid-seventeenth century—and later, indirectly, in the reconstruction after the 1667 earthquake. Further examined are the issues that result from the analysis of present-day architectural structures in the light of previously known and recently discovered archival and visual evidence, as well as the role of certain participants in the processes of decision-making, design and construction, notably Ragusan authorities as initiators, investors and commissioners, along with two foreign architects—Jacques de Spinis, who arrived in Dubrovnik from Venice in the mid-sixteenth century, and papal architect Giulio Cerruti, sent directly from Rome in the autumn of 1667.

Ključne riječi
Dubrovnik; seventeenth century; architecture; urban development; uniform facades; post-earthquake reconstruction; Mannerism; Baroque; Jacques de Spinis; Giulio Cerruti

Hrčak ID: 205830

URI
https://hrcak.srce.hr/205830

Posjeta: 348 *