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THE EROSION OF DRAMA FORMS BY EPIC ELEMENTS IN KRLEM’S LEGENDS

Jolanta Sychowska-Kavedžija

Puni tekst: hrvatski, pdf (594 KB) str. 121-131 preuzimanja: 24* citiraj
APA 6th Edition
Sychowska-Kavedžija, J. (1986). Narušavanje dramske forme epskim elementima u "Legendama" Miroslava Krleže. Croatica, 17 (24-25), 121-131. Preuzeto s https://hrcak.srce.hr/212727
MLA 8th Edition
Sychowska-Kavedžija, Jolanta. "Narušavanje dramske forme epskim elementima u "Legendama" Miroslava Krleže." Croatica, vol. 17, br. 24-25, 1986, str. 121-131. https://hrcak.srce.hr/212727. Citirano 08.08.2020.
Chicago 17th Edition
Sychowska-Kavedžija, Jolanta. "Narušavanje dramske forme epskim elementima u "Legendama" Miroslava Krleže." Croatica 17, br. 24-25 (1986): 121-131. https://hrcak.srce.hr/212727
Harvard
Sychowska-Kavedžija, J. (1986). 'Narušavanje dramske forme epskim elementima u "Legendama" Miroslava Krleže', Croatica, 17(24-25), str. 121-131. Preuzeto s: https://hrcak.srce.hr/212727 (Datum pristupa: 08.08.2020.)
Vancouver
Sychowska-Kavedžija J. Narušavanje dramske forme epskim elementima u "Legendama" Miroslava Krleže. Croatica [Internet]. 1986 [pristupljeno 08.08.2020.];17(24-25):121-131. Dostupno na: https://hrcak.srce.hr/212727
IEEE
J. Sychowska-Kavedžija, "Narušavanje dramske forme epskim elementima u "Legendama" Miroslava Krleže", Croatica, vol.17, br. 24-25, str. 121-131, 1986. [Online]. Dostupno na: https://hrcak.srce.hr/212727. [Citirano: 08.08.2020.]

Sažetak
The inner crisis of drama forms in the literary output of M. Krleza led to the formation of some new and interesting forms. The old shape of the classical drama form cannot stand the burden of the new contents
and themes, it falls to pieces and reveals epic features. Krleza’s Legends do not follow the basic drama principle — reproduction of relations
among people caused by the author’s choice of dramatis personae.
Introducing historical and symbolic personages breaks the principle
of independence — the truthfulness of /the/ drama, because it implies its relation to history and presupposes the existence of the person quoting. Fictitious dialogue is deprived of dramatic progression. Antithetic personages play the role of the epic subject. The epic subject that creates and describes the presented world of the work is found in stage directions. Aware of these and other facts, the author endeavours
in various ways and with various results to prevail the conflict between the substantial and formal expression.

Hrčak ID: 212727

URI
https://hrcak.srce.hr/212727

[hrvatski]

Posjeta: 51 *