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SLAVIC AND THE CLASSICAL THEMES IN DRAMATIC TEXTS BY JUNIJE PALMOT1C
Divna Mrdeža Antonina
Sažetak
One of the most famous baroque dramatic theatre authors after Gundulic was Junije Palmotic. He took his dramatic materials from classical mythology, the literary texts of the renaissance and Croatian history. Besides the plot, these separate thematic circles resulted in other differences as well.
In the comparative approach to his classical and pseudo-historic dramatic works with Slavic characteristics, several different literary and dramatic modes of proceeding are distingushed:- The aberration from historic basis and the intermixing of the classical and neoclassical elements in the plots,
- The meaning and the representation of the chorus varies according to the thematic circles,
- His lyricism and polymetrics are not equally stressed in all of his dramas,
- The use of the fantastic elements in the structure of his plays varies (in some texts with a more stressed presence of the fantastic elements the plot is based on the love conflict - Captislava, Bisernica - so the events are becoming less important and less universal for wider social community, perhaps the semantic
level is being enlarged introducing the miraculous elements of the forces of the good and the evil?)
- Besides the deep rooted role of the good and evil, the christianisation in the so-called Slavic dramas has an additional dimension; a tendency to a spiritual revival with some added anti-Ottoman attitudes.
The aberration from the same Italian kind, which this Croatian type grew from, is remarkable in Palmotic’s dramas as well as in the dramas of his contemporaries.
Ključne riječi
Hrčak ID:
214539
URI
Datum izdavanja:
1.5.1993.
Posjeta: 888 *