APA 6th Edition Cvetnić, S. (2018). Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu. Peristil, 61 (1), 57-64. https://doi.org/10.17685/Peristil.61.4
MLA 8th Edition Cvetnić, Sanja. "Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu." Peristil, vol. 61, br. 1, 2018, str. 57-64. https://doi.org/10.17685/Peristil.61.4. Citirano 28.02.2021.
Chicago 17th Edition Cvetnić, Sanja. "Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu." Peristil 61, br. 1 (2018): 57-64. https://doi.org/10.17685/Peristil.61.4
Harvard Cvetnić, S. (2018). 'Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu', Peristil, 61(1), str. 57-64. https://doi.org/10.17685/Peristil.61.4
Vancouver Cvetnić S. Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu. Peristil [Internet]. 2018 [pristupljeno 28.02.2021.];61(1):57-64. https://doi.org/10.17685/Peristil.61.4
IEEE S. Cvetnić, "Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu", Peristil, vol.61, br. 1, str. 57-64, 2018. [Online]. https://doi.org/10.17685/Peristil.61.4
Sažetak The collection of the Franciscan convent on the island of Visovac holds several paintings executed after printed models. Besides giving an overview of the Visovac collection, the paper discusses Philippe homassin’s engravings after Giorgio Giulio Clovio as models for paintings Jesus at the Age of Twelve and Weeping Virgin, and Adrian van Melar’s Ecce Homo after Guido Reni as the model for a painting by Francesco Pavona.