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Peristil : zbornik radova za povijest umjetnosti, Vol. 61 No. 1, 2018.

Prethodno priopćenje
https://doi.org/10.17685/Peristil.61.4

Jesus at the Age of Twelve and Weeping Virgin after Clovio (Thomassin) and Pavona’s Ecce Homo after Reni (Van Melar) in Visovac Collection

Sanja Cvetnić   ORCID icon orcid.org/0000-0002-0529-5229 ; Faculty of Humanities and Social Sciences, University of Zagreb, Department of Art History

Puni tekst: hrvatski, pdf (496 KB) str. 57-64 preuzimanja: 304* citiraj
APA 6th Edition
Cvetnić, S. (2018). Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu. Peristil, 61 (1), 57-64. https://doi.org/10.17685/Peristil.61.4
MLA 8th Edition
Cvetnić, Sanja. "Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu." Peristil, vol. 61, br. 1, 2018, str. 57-64. https://doi.org/10.17685/Peristil.61.4. Citirano 18.06.2021.
Chicago 17th Edition
Cvetnić, Sanja. "Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu." Peristil 61, br. 1 (2018): 57-64. https://doi.org/10.17685/Peristil.61.4
Harvard
Cvetnić, S. (2018). 'Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu', Peristil, 61(1), str. 57-64. https://doi.org/10.17685/Peristil.61.4
Vancouver
Cvetnić S. Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu. Peristil [Internet]. 2018 [pristupljeno 18.06.2021.];61(1):57-64. https://doi.org/10.17685/Peristil.61.4
IEEE
S. Cvetnić, "Dvanaestogodišnji Isus i Marija u suzama prema Kloviću (Thomassinu) i Pavonin Ecce Homo prema Reniju (Van Melaru) na Visovcu", Peristil, vol.61, br. 1, str. 57-64, 2018. [Online]. https://doi.org/10.17685/Peristil.61.4

Sažetak
The collection of the Franciscan convent on the island of Visovac holds several paintings executed after printed models. Besides giving an overview of the Visovac collection, the paper discusses Philippe homassin’s engravings after Giorgio Giulio Clovio as models for paintings Jesus at the Age of Twelve and Weeping Virgin, and Adrian van Melar’s Ecce Homo after Guido Reni as the model for a painting by Francesco Pavona.

Ključne riječi
Visovac; Giorgio Giulio Clovio; Philippe Thomassin; Adrian van Melar; Francesco Pavona; Guido Reni

Hrčak ID: 219604

URI
https://hrcak.srce.hr/219604

[hrvatski]

Posjeta: 597 *