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https://doi.org/10.31820/f.31.2.16

Texts of Popular Songs in the Construction of National Memory

Diana Grgurić ; Filozofski fakultet Sveučilišta u Rijeci
Benedikt Perak ; Filozofski fakultet Sveučilišta u Rijeci

Puni tekst: hrvatski, pdf (663 KB) str. 297-322 preuzimanja: 1.719* citiraj
APA 6th Edition
Grgurić, D. i Perak, B. (2019). Tekstovi popularnih pjesama u konstrukciji nacionalnog sjećanja. FLUMINENSIA, 31 (2), 297-322. https://doi.org/10.31820/f.31.2.16
MLA 8th Edition
Grgurić, Diana i Benedikt Perak. "Tekstovi popularnih pjesama u konstrukciji nacionalnog sjećanja." FLUMINENSIA, vol. 31, br. 2, 2019, str. 297-322. https://doi.org/10.31820/f.31.2.16. Citirano 19.10.2021.
Chicago 17th Edition
Grgurić, Diana i Benedikt Perak. "Tekstovi popularnih pjesama u konstrukciji nacionalnog sjećanja." FLUMINENSIA 31, br. 2 (2019): 297-322. https://doi.org/10.31820/f.31.2.16
Harvard
Grgurić, D., i Perak, B. (2019). 'Tekstovi popularnih pjesama u konstrukciji nacionalnog sjećanja', FLUMINENSIA, 31(2), str. 297-322. https://doi.org/10.31820/f.31.2.16
Vancouver
Grgurić D, Perak B. Tekstovi popularnih pjesama u konstrukciji nacionalnog sjećanja. FLUMINENSIA [Internet]. 2019 [pristupljeno 19.10.2021.];31(2):297-322. https://doi.org/10.31820/f.31.2.16
IEEE
D. Grgurić i B. Perak, "Tekstovi popularnih pjesama u konstrukciji nacionalnog sjećanja", FLUMINENSIA, vol.31, br. 2, str. 297-322, 2019. [Online]. https://doi.org/10.31820/f.31.2.16

Sažetak
This work is based on the discourse and conceptual analysis of popular songs broadcasted on the radio from the perspective of culture of memory. The basic assumption of the study is that the conceptual structure of the lyrics reflects the identity of the Croatian society. The corpus of songs broadcasted on Statehood Day has been created over 5 consecutive years, yielding a list consisting of the most frequent 19 out of 31,372 songs contained in 50 music play lists. Multidimensional social and discourse aspects were analysed in terms of their role in the formation of cultural knowledge about the national identity. The corpus based conceptual analysis identified the key concepts from the perspective of embodied constructions of the meaning that highlight the continuity of the nation’s existence and refer to the Homeland War as a badge of identity of the Croatian society. The paper provides the perspectives and methodologies for further research of the role of popular songs in the process of Croatian cultural memory.

Ključne riječi
Croatian popular music; collective memory; radio; national identity; corpus analysis; discourse analysis

Hrčak ID: 230846

URI
https://hrcak.srce.hr/230846

[hrvatski]

Posjeta: 2.127 *