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Julije Bajamonti (1744-1800) - between music theory and practice

Ivana Tomić Ferić   ORCID icon orcid.org/0000-0003-1995-2215 ; Umjetnička akademija Sveučilišta u Splitu, Split, Hrvatska

Puni tekst: hrvatski, pdf (1 MB) str. 1-44 preuzimanja: 1.191* citiraj
APA 6th Edition
Tomić Ferić, I. (2009). Julije Bajamonti (1744.-1800.) - između glazbene teorije i prakse. Radovi Zavoda za znanstveni rad Varaždin, (20), 1-44. Preuzeto s https://hrcak.srce.hr/48912
MLA 8th Edition
Tomić Ferić, Ivana. "Julije Bajamonti (1744.-1800.) - između glazbene teorije i prakse." Radovi Zavoda za znanstveni rad Varaždin, vol. , br. 20, 2009, str. 1-44. https://hrcak.srce.hr/48912. Citirano 20.01.2020.
Chicago 17th Edition
Tomić Ferić, Ivana. "Julije Bajamonti (1744.-1800.) - između glazbene teorije i prakse." Radovi Zavoda za znanstveni rad Varaždin , br. 20 (2009): 1-44. https://hrcak.srce.hr/48912
Harvard
Tomić Ferić, I. (2009). 'Julije Bajamonti (1744.-1800.) - između glazbene teorije i prakse', Radovi Zavoda za znanstveni rad Varaždin, (20), str. 1-44. Preuzeto s: https://hrcak.srce.hr/48912 (Datum pristupa: 20.01.2020.)
Vancouver
Tomić Ferić I. Julije Bajamonti (1744.-1800.) - između glazbene teorije i prakse. Radovi Zavoda za znanstveni rad Varaždin [Internet]. 2009 [pristupljeno 20.01.2020.];(20):1-44. Dostupno na: https://hrcak.srce.hr/48912
IEEE
I. Tomić Ferić, "Julije Bajamonti (1744.-1800.) - između glazbene teorije i prakse", Radovi Zavoda za znanstveni rad Varaždin, vol., br. 20, str. 1-44, 2009. [Online]. Dostupno na: https://hrcak.srce.hr/48912. [Citirano: 20.01.2020.]

Sažetak
This text explores the general references of the very important music-theoretical written document of doctor Julije Bajamonti, one of the most prominent enlightener in the whole Croatian history. The speech is about the first, encyclopaedic conceived Music dictionary in the native ground with approximately three hundred terms, written in Italian and lesser part in French. In terms explications, Bajamonti compiles thougts about music which are outlined by famous music theoreticians in their works from the ancient times to the last quarter of the 18. century. It is possible to sort all the terminological frames in: 1) the terminology of the theoretical aspects of music correspondent with the ontological problems; 2) the terminology of the instrumental music inside organological problems; 3) the terminology of the general aspects of music correspondent to the aesthetical problems. This learned paper brings the general statements of the set subject and puts forward a list of all historical and music-theoretical sources which we have met in Bajamonti’s autograph and elaborate the reflections of the Bajamonti’s music- theoretical knowledge to his compositional practice.

Ključne riječi
Bajamonti; music dictionary; music theory; organology; aesthetic of music; music-theoretical knowledge; compositional practice

Hrčak ID: 48912

URI
https://hrcak.srce.hr/48912

[hrvatski]

Posjeta: 1.729 *