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Ivana Kobilca and Her Painting for the Ljubljana Town Hall, Slovenia Bows to Ljubljana, in the Context of Women’s Painting in the Late Nineteenth Century

Beti Žerovc ; Oddelek za umetnostno zgodovino, Filozofska fakulteta, Univerza v Ljubljani

Puni tekst: engleski, pdf (421 KB) str. 167-178 preuzimanja: 335* citiraj
APA 6th Edition
Žerovc, B. (2013). Ivana Kobilca and Her Painting for the Ljubljana Town Hall, Slovenia Bows to Ljubljana, in the Context of Women’s Painting in the Late Nineteenth Century. Radovi Instituta za povijest umjetnosti, (37), 167-178. Preuzeto s https://hrcak.srce.hr/138252
MLA 8th Edition
Žerovc, Beti. "Ivana Kobilca and Her Painting for the Ljubljana Town Hall, Slovenia Bows to Ljubljana, in the Context of Women’s Painting in the Late Nineteenth Century." Radovi Instituta za povijest umjetnosti, vol. , br. 37, 2013, str. 167-178. https://hrcak.srce.hr/138252. Citirano 12.08.2020.
Chicago 17th Edition
Žerovc, Beti. "Ivana Kobilca and Her Painting for the Ljubljana Town Hall, Slovenia Bows to Ljubljana, in the Context of Women’s Painting in the Late Nineteenth Century." Radovi Instituta za povijest umjetnosti , br. 37 (2013): 167-178. https://hrcak.srce.hr/138252
Harvard
Žerovc, B. (2013). 'Ivana Kobilca and Her Painting for the Ljubljana Town Hall, Slovenia Bows to Ljubljana, in the Context of Women’s Painting in the Late Nineteenth Century', Radovi Instituta za povijest umjetnosti, (37), str. 167-178. Preuzeto s: https://hrcak.srce.hr/138252 (Datum pristupa: 12.08.2020.)
Vancouver
Žerovc B. Ivana Kobilca and Her Painting for the Ljubljana Town Hall, Slovenia Bows to Ljubljana, in the Context of Women’s Painting in the Late Nineteenth Century. Radovi Instituta za povijest umjetnosti [Internet]. 2013 [pristupljeno 12.08.2020.];(37):167-178. Dostupno na: https://hrcak.srce.hr/138252
IEEE
B. Žerovc, "Ivana Kobilca and Her Painting for the Ljubljana Town Hall, Slovenia Bows to Ljubljana, in the Context of Women’s Painting in the Late Nineteenth Century", Radovi Instituta za povijest umjetnosti, vol., br. 37, str. 167-178, 2013. [Online]. Dostupno na: https://hrcak.srce.hr/138252. [Citirano: 12.08.2020.]

Sažetak
This article on the artist Ivana Kobilca (b. Ljubljana, 1861; d. Ljubljana,
1926) developed from thinking about her painting Slovenija se klanja Ljubljani
(Slovenia Bows to Ljubljana), which has hung in the main chamber
of Ljubljana’s Town Hall for over a hundred years. The first negotiations
about the painting took place in 1898, after Kobilca completed a portrait
of the Croatian bishop, arts patron, and famous Slavophile, Josip Juraj
Strossmayer, for the city of Ljubljana, which then decided to finance as
well a large allegorical painting for the Town Hall assembly room.
The work is of exceptional interest as it provides a basis for actively
confronting some of the key questions related to women’s emancipation
and their professionalization in the art field in that period. As a large
and important public commission it tells us of women’s serious entry
into the painting profession and of the province of Carniola’s willingness
to accept Kobilca. In the article, however, we mainly address certain less
favourable aspects connected with the painting. Indeed, on the whole it
was not a successful work, a fact we take as a starting point for thinking
about where women’s artistic careers ran into obstacles and how
they were unable to receive the proper training for painting this sort of
monumental multifigural composition.

Ključne riječi
Ivana Kobilca; women’s painting in the late 19th century; reception and historicization of Ivana Kobilca; limited educational opportunities for women painters; professional organizing of women artists

Hrčak ID: 138252

URI
https://hrcak.srce.hr/138252

Posjeta: 443 *