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"Ugljan Triptych" after the Restoration

Emil Hilje ; Filozofski fakultet, Zadar, Hrvatska

Sažetak

The tripartite painting which represents Madonna with the Child in its central panel, and four scenes on each wing, has been found in 1954 in the yard of a village house in Ugljan near Zadar However it was not before the recent restoration that all of the artistic qualities have been revealed. Those are the punch work of aureolas on the golden surface, specific linear design in the modelling of draperies, outstanding values of colour and even some iconographical elements. The most important was the possibility of a much better reading of the stylistic elements which, although iconographically conservative, and especially in the central panel tied to the Byzantine traditions, show that this triptych is artistically far more advanced than the kindred works of art. Together with the late-Romanesque and Byzantine schemes, it introduces inspired and fresh Gothic innovations in the treatment of figures and compositional relations. Those characteristics give it a special place in the frame of Adriatic painting in the early 14th century.

Ključne riječi

Hrčak ID:

179471

URI

https://hrcak.srce.hr/179471

Datum izdavanja:

1.5.1998.

Podaci na drugim jezicima: hrvatski

Posjeta: 1.109 *