Ars Adriatica, No. 13, 2023.
Izvorni znanstveni članak
https://doi.org/10.15291/ars.4335
Two Skilful Iconographic Interpretations of the Biblical Text by Nerio
Nikola Jakšić
; Odjel za povijest umjetnosti, Sveučilište u Zadru
Sažetak
Nerio’s initial D(e ventre matris mee...) from Gradual D of the Zadar Franciscans has been misinterpreted in scholarly literature, earning the miniaturist a bad reputation as an iconographer. L. Mirković did not recognize that the initial depicts simultaneously two connected events from Luke’s Gospel: Annunciation to Zechariah (Lk 1:5-25) and the Birth of John the Baptist (Lk 1:57-66). This article aims to prove the opposite, namely that Nerio was unusually skilled in translating the liturgical text into visual language. This opinion is supported by the analysis of Nerio’s cutting preserved at the British Library, depicting Christ, an apostle, and an executioner taking a sheep to be slaughtered. So far, no correct interpretation of this scene has been offered. The author considers it to be a visual interpretation of the First Response of the nocturnal Mass for Holy Saturday. The citation is taken from Isaiah (53/7) and reads: Sicut ovis ad occisionem ductus est et, dum male tractaretur non aperuit os suum (“He was led like a lamb to the slaughter, and as a sheep before its shearers is silent, so he did not open his mouth”). Nerio wanted to depict Christ’s silence and succeeded in doing so by introducing an apostle into the scene to enter into a dialogue with the executioner, indirectly emphasizing Christ’s silence. Christ seems to distance himself from the event, turning his back to it. Nevertheless, he turns his head back towards the executioner, recognizing his own fate in the sheep and accepting it without a word.
Ključne riječi
Nerio; 14th century; iconography; Response
Hrčak ID:
312771
URI
Datum izdavanja:
30.12.2023.
Posjeta: 609 *