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Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology

Edward Green ; Manhattan School of Music, New York, U.S.A.

Puni tekst: engleski, pdf (134 KB) str. 227-248 preuzimanja: 1.599* citiraj
APA 6th Edition
Green, E. (2005). Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology. International review of the aesthetics and sociology of music, 36 (2), 227-248. Preuzeto s https://hrcak.srce.hr/43613
MLA 8th Edition
Green, Edward. "Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology." International review of the aesthetics and sociology of music, vol. 36, br. 2, 2005, str. 227-248. https://hrcak.srce.hr/43613. Citirano 02.08.2021.
Chicago 17th Edition
Green, Edward. "Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology." International review of the aesthetics and sociology of music 36, br. 2 (2005): 227-248. https://hrcak.srce.hr/43613
Harvard
Green, E. (2005). 'Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology', International review of the aesthetics and sociology of music, 36(2), str. 227-248. Preuzeto s: https://hrcak.srce.hr/43613 (Datum pristupa: 02.08.2021.)
Vancouver
Green E. Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology. International review of the aesthetics and sociology of music [Internet]. 2005 [pristupljeno 02.08.2021.];36(2):227-248. Dostupno na: https://hrcak.srce.hr/43613
IEEE
E. Green, "Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology", International review of the aesthetics and sociology of music, vol.36, br. 2, str. 227-248, 2005. [Online]. Dostupno na: https://hrcak.srce.hr/43613. [Citirano: 02.08.2021.]

Sažetak
The writings of Donald Francis Tovey and Eli Siegel both point to the need for a philosophic musicology. Throughout his career, Tovey wrote about art in terms of the reconciliation of opposites, and believed music, in microcosm, expressed the nature of reality. Tovey never coordinated these two concepts. Eli Siegel, the founder of Aesthetic Realism, did-and explained: "The world, art, and self explain each other: each is the aesthetic oneness of opposite". This principle provides a conceptual bridge unifying every aspect of musicology. As illustration, we investigate Tovey's description of Haydn's "The Representation of Chaos" from the Essays in Musical Analysis, and conclude with the presentation of a new analytic paradigm for late Haydn. Surprisingly, Haydn, in his late sacred music, employs a distinctly "dodecaphonic" technique, delineating musical structures on the basis of completing the "total chromatic". Here, Haydn anticipates by over a century the procedures of early Webern.

Ključne riječi
Haydn; Siegel; Tovey; Musicology; Dodecaphonic

Hrčak ID: 43613

URI
https://hrcak.srce.hr/43613

[hrvatski]

Posjeta: 1.876 *