Filozofska istraživanja, Vol. 27 No. 1, 2007.
Izvorni znanstveni članak
Phantasm of Subjectivity in the Key of Interactivity. The Case of Computer Screen
Hajrudin Hromadžić
Sažetak
Symbolical starting point of the text is »Black Square« by Kazimir Malevich, or more exactly, an epistemological transition within theoretical understanding of the mentioned artwork: from a phenomenological-ontological perspective toward psychoanalytical interpretation of it. According to application of the concept of regard by Jacques Lacan, and regarding to oppositional distinction between television screen and computer screen, I am searching for a parallel between Malevich’s Square and symbolic of the screen. Process of definition of differences between television screen and computer screen is the way of re-actualization of previously mentioned Lacan’s concept, and I make an application of it on examples of computer virtual space and so-called virtually created identity. Primal theoretical problem of the text is working out through dichotomy interactivity/interpassivity with stress on the model of HCI (Human Computer Interaction) that is interaction of human with computer. Parallel between an artwork and contemporary media technology, regarding to a human subject under self-questioned and self-created processes, leading us toward the question which is the one of main interests in the text: what is the model of self identity created within virtual space?
Ključne riječi
»Black Square«; concept of regard; interactivity/interpassivity; television/computer screen; virtual identity
Hrčak ID:
15753
URI
Datum izdavanja:
2.4.2007.
Posjeta: 2.582 *