Arti musices, Vol. 49 No. 2, 2018.
Izvorni znanstveni članak
https://doi.org/10.21857/y26kec3kg9
Male and Female Singers within the Zadar Philharmonic Orchestra – A Survey Contribution on Zadar’s Musical Past in the Second Half of the 19th Century
Katica Burić Ćenan
; Sveučilište u Zadru, Odsjek za etnologiju i antropologiju, Zadar, Hrvatska
Sažetak
The period of the second half of the 19th century in Zadar, when one looks at both the number of musicians and the dynamics of overall musical events, could be called the ‘golden’ age of Zadar’s musical past. Within the framework of not one, but two opera theaters (Nobile teatro, Teatro Verdi), numerous musical societies, the cathedral and other churches in Zadar, there existed a very burly and varied musical life. Musicians – domestic and foreign, professionals and amateurs, regardless of political, economic and other social connotations, cooperated daily and created a cultural atmosphere worthy of the great European centers. This work, thus, aims to present a single section from Zadar’s rich past, which until the 1880s was still unencumbered by political ideologies in cultural circles. The work is about Zadar’s musicians, primarily female and male singers of the first and largest musical society, the Zadar Philharmonic Orchestra. Apart from historiographical literature, this research is based on a variety of archival documents such as opera and concert posters and programs, numerous periodicals, photographs, small prints (contracts, statutes, reports, concerts and other tickets) etc. Hence, the purpose of this work is to, in accordance with postmodernist persuasions, also talk about the ‘small’ artists, i.e. all those who have contributed to the creation of the overall musical life of a community.
Ključne riječi
Zadar Philharmonic Society; male and female singers; dilettantes; interns; Antonio Pini-Corsi
Hrčak ID:
216709
URI
Datum izdavanja:
11.2.2019.
Posjeta: 2.138 *