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https://doi.org/10.31192/np.19.3.2

Religious Syncretism: to the Origins of Culture- Creative Potential

Svetlana A. Bezklubaya orcid id orcid.org/0000-0001-5713-9044 ; Nacionalno istraživačko sveučilište, Institut za inženjerstvo, ekonomiju i humanističke znanosti Moskovskoga zrakoplovnog instituta, Odsjek za filozofiju, Moskva, Rusija


Puni tekst: engleski pdf 182 Kb

str. 491-507

preuzimanja: 548

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Sažetak

The modern universal significance of the all-human creative experience updates the scientific interest in phenomena of culture which concentrate and disseminate the theories, ideas and beliefs that claim universal significance and cause epochal changes over vast territories. Religion, as a way of spiritual and practical mastery of the world by man, is that part of culture that constantly changes its forms, throws off some and clothes itself in others, fixing itself in cultural systems and actively influencing the processes of their self-organization and selfregulation. Therefore, the object of this study is religious syncretism as a way of transforming components of different order of being into a powerful culturecreative potential. The purpose of the work is to study religious syncretism as a complex multilevel process of mutual influence of various types of religions, sacred ideological images and cultural archetypes (ethical, aesthetic, artistic). The parameters of openness, and the mixing and blurring of boundaries make it possible to consider religious syncretism as a creative factor of culture, giving it the necessary integrity and actual meaning. Analysis of traditional forms of reflection and regulation of socio-cultural processes (myth, ritual, religion, art) reveals syncretism as a way of filling the sacred and religious with a powerful cultural-creative force. The author reveals the entropic essence of religious syncretism and its creative role in overcoming fragmentation, simplification and monism by culture (especially in the interpretation of the concepts of life and death, being and nothing, beautiful and ugly, space and time, virtue, soul, faith). The methodological basis of the research was formed by a transdisciplinary approach establishing a systemic life stance interaction of structurally functional and historical analysis with cultural and philosophical reflection. The theoretical conclusions contained in the work open up new opportunities for further study of the influence of religions on the creativity of cultural systems. The study of the culture-creative potential of religious syncretism clearly demonstrates the unity of the primary causes of being and thus allows one to practically reduce the degree of modern interfaith tension.

Ključne riječi

art; creativity; cultural system; culture-creative potential; entropy; myth; negentropy; religion; religious syncretism; sacred; syncretism; transdisciplinary

Hrčak ID:

265520

URI

https://hrcak.srce.hr/265520

Datum izdavanja:

15.11.2021.

Podaci na drugim jezicima: hrvatski

Posjeta: 1.402 *