Izlaganje sa skupa
https://doi.org/10.21857/y6zolb6pzm
Zlatko Bourek – Once Upon a Time There Was Sculpture
Barbara Vujanović
; Atelijer Meštrović, Zagreb, Hrvatska
Sažetak
The figurative repertoire and imaginarium of Zlatko Bourek (1929–1918) represents an exceptionally complex segment of the Croatian visual and applied arts, theatre and animated film. His creative manuscript was of a recognisable sardonic, hedonistic and grotesque character, supplemented by a specific narrative of fantastic and erotic nature, as well as by lasting fascination with his native Slavonia. In order to comprehend his oeuvre and manuscript, it ought to be taken into account the fact – as the author himself frequently stressed – that he could only draw, not write. Bourek’s learnedness in visual arts rests upon his mastering the classic tradition of sculpture, the principles of the Japanese puppet theatre, and the German expressionist painting and print art. He felt a particular closeness to the poetics that had defined the Neue Sachlichkeit, metaphysical painting, modern Italian sculpture and surrealism. Sculpture or rather the rethinking thereof, animation of volume (animated film), and putting in motion (puppet theatre) – permanently determined Bourek’s creative thinking and interests. In this sense, the speech will offer an analysis of the genesis of Zlatko Bourek’s sculpture and his correlation with other media, in which his contribution is remarkable as well.
Ključne riječi
Zlatko Bourek; sculpture; painting; theatre; animated film.
Hrčak ID:
284543
URI
Datum izdavanja:
7.10.2022.
Posjeta: 402 *