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https://doi.org/10.22586/pp.v43i66.30351
The Frankapan Seat of Modruš with Tržan-grad in Jan van Scorel’s Holy Kinship in Obervellach
Ivan Jurković
orcid.org/0000-0001-6864-6658
Sažetak
According to his biographer, Karel van Mander, the Netherlandish painter Jan van Scorel spent a brief period studying with Albrecht Dürer before setting of for Carinthia, where he was warmly received by the local nobility. Historians have long been aware of the commissions from this period of van Scorel’s career – the Adoration of the Magi and the Frangipani-Altar. Originally a triptych, the latter work was “modernized” and, in 1692, encased in a Baroque altar housing in the church of St. Martin in the Carinthian village of Obervellach. The coats of arms on the reverse of the Holy Kinship indicate that the painting was commissioned by Count Christopher Frankapan and his wife Apollonia Lang of Wellenburg. However, over time, art historians have assumed that the Holy Kinship portrays members of the Lang family, leading to the conclusion that the work was commissioned by Apollonia’s brother, Matthäus Lang von Wellenburg, Cardinal and Prince-Archbishop of Salzburg. However, the backdrop against which the family members are portrayed, featuring the town, new fortress, and castle on the hill, corresponds to Modruš with Tržan-grad, owned at the time by the Frankapan family.
Ključne riječi
Bernardin and Christopher Frankapan of Modruš; Apollonia Lang; Jan van Scorel; Frangipani-Altar; Modruš; Venice; 1518 – 1519
Hrčak ID:
319237
URI
Datum izdavanja:
8.7.2024.
Posjeta: 457 *