Izvorni znanstveni članak
https://doi.org/10.58173/kz.77.2
Summary: Three contributions to the catalogue of Paolo Campsa’s workshop
Danijel Ciković
; Akademija primijenjenih umjetnosti Sveučilišta u Rijeci, Rijeka, Hrvatska
Sažetak
The article contains an analysis of three very adroitly modelled, but thus far lesser known wooden, polychrome Renaissance sculptures. These are the crucifix in the Krk cathedral, a sculpture depicting the Our Lady of the Immaculate Conception in the patriarchal basilica in Aquileia and the statue of St. John the Evangelist in the Franciscan Church of Our Lady of Angels in Podgorje, above Orebić. Based on a series of stylistic and morphological similarities, the sculptures have been attributed to masters from the workshop of Paolo Campsa, and by all indications they were made during the third or fourth decade of the 16th century. None of these sculptures are today held in their original contexts, but regardless of that they once more testify to the recognisability, popularity and wide distribution of the output of what was likely the most productive Venetian wood-carving workshop all along the Adriatic in the first half of the 16th century.
Ključne riječi
Paolo Campsa; wooden sculpture; 16th century; Aquileia; Krk; Orebić
Hrčak ID:
322632
URI
Datum izdavanja:
22.11.2024.
Posjeta: 0 *