Skip to the main content

Original scientific paper

https://doi.org/10.17234/ZGB.34.8

Living Art. The Lipizzaner Horses in Joseph Roth's Texts

Johann Georg Lughofer orcid id orcid.org/0000-0001-8319-6616 ; University of Ljubljana


Full text: german pdf 172 Kb

page 117-127

downloads: 98

cite

Full text: english pdf 172 Kb

page 117-127

downloads: 77

cite

Full text: croatian pdf 172 Kb

page 117-127

downloads: 104

cite


Abstract

The Lipizzaner horses, which have often been understood as living art and
whose performances have been regarded as theatrical displays, are one of the central icons of contemporary Austria. After the fall of the Danube Monarchy, the white horses initially developed into a symbol of an aestheticized Austria, strongly referencing the Monarchy and carrying
an anti-German element. Joseph Roth also made use of this imagery, placing the Lipizzaner horses into the narrative in a very specific way, especially in "Radetzky March" (1932) and "The Tale of the 1002nd Night" (1939). This article analyzes and contextualizes the use of the Lipizzaner motif in these two works by Roth.

Keywords

Joseph Roth; Austria after the Great War; Spanish Riding School; Habsburgs

Hrčak ID:

343285

URI

https://hrcak.srce.hr/343285

Publication date:

20.12.2025.

Article data in other languages: german croatian

Visits: 670 *