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THE PRINCIPLES OF PUPPET DRAMATURGY

Teodora Vigato ; Odjel za izobrazbu učitelja i odgojitelja predškolske djece, Sveučilište u Zadru, Zadar, Hrvatska

Sažetak

According to the analysis of literary works which are used in the creation of puppet plays, plays are based on either dramatic, epic, or lyric principles. As an example of the dramatic principle, the author chose Mladen Širola's text Kraljica lutaka (The Queen of Puppets) because it was this text that had been voted the best play performed in Zadar Puppet Theatre in the 1960s. Because of its epic principle, the author chose Luko Paljetak's Bajka o kraljevim trešnjama (The Story of the King's Cherries). Discussing the epic principle, the author analyzes the role of the live actor on the puppet stage, who unites the fragmented plot and leads the play, and then considers the disappearance of the unity of site and time, and the creation of the structure of the play according to the principle of revue. In the final part of the paper the author claims that Luko Paljetak forgoes the epic principle in his theoretical treatises concerning puppetry; his staging of puppet plays, mainly based on Andersen's tales, are founded on the lyric principle, which uses metaphor as a dominant means of expression.

Ključne riječi

puppetry; puppet dramaturgy; Puppet theatre in Zadar; Mladen Širola; Luko Paljetak

Hrčak ID:

32720

URI

https://hrcak.srce.hr/32720

Datum izdavanja:

9.2.2009.

Podaci na drugim jezicima: hrvatski

Posjeta: 5.381 *