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Orchestrating Flaubert

Nenad Ivić orcid id orcid.org/0000-0002-4385-7333 ; Filozofski fakultet Sveučilišta u Zagrebu, Zagreb, Hrvatska


Puni tekst: engleski pdf 1.204 Kb

str. 87-107

preuzimanja: 423

citiraj


Sažetak

The article discusses the problem of homogenizing and hegemonizing (philosophical)
discourse by analysing the protocols of interpretation in postcolonial criticism
(Edward Said), literary theory (Jacques Rancière) and musicology (Theodor Adorno)
on two instances of novelistic literature/music: Mme Bovary of Gustave Flaubert and
Symphony no.3 of Gustav Mahler. The analysis, based on the concept of mortlavie
(Derrida) is centered on the (troubled) relation between the author (his life and death)
and the text (his work).

Ključne riječi

literary theory, musicology, postcolonialism, autobiography, novel, Edward Said, Jacques Derrida, Jacques Rancière, Theodor Adorno, Gustave Flaubert, Mme Bovary, Gustav Mahler, Third Symphony

Hrčak ID:

40445

URI

https://hrcak.srce.hr/40445

Podaci na drugim jezicima: hrvatski

Posjeta: 1.096 *